Toyota’s Hidden 500-HP All-Wheel-Drive Celica Supercar

Rally Reborn - Back in the late 1990s, Toyota’s Celica was already known as a sporty, reliable compact coupe, but by the time the seventh-generation model arrived in 1999, something was missing. It carried a sharper, modern design with compact, agile proportions and short overhangs, and it was lighter by 196 pounds than its predecessor. Paired with 1.8-liter inline-four engines—the 2ZZ-GE and 1ZZ-FE—and a new six-speed manual gearbox, it had plenty of appeal for enthusiasts who appreciated nimble handling and efficiency. Yet, fans of the Celica's motorsport heritage noticed a glaring absence: there was no high-performance all-wheel-drive variant to continue the GT-4 legacy that had been a rally icon for years.

The 2000 Toyota Ultimate Celica is the extreme in driving excitement, features a race-bred suspension, custom exhaust system, Recaro sport seats with four-point belts, an integrated rollcage, a racing fuel cell, performance tires and wheels, and Champ Car-inspired styling. (Picture from: CCDiscussion)

Toyota knew that sports car fans weren’t just looking for style—they craved performance rooted in racing history. Previous GT-4 models had brought turbocharged, all-wheel-drive rally technology to the streets, showing off Toyota’s motorsport prowess and giving the model a halo of excitement. Without such a standout, the seventh-generation Celica, while capable, felt like it lacked the punch needed to excite hardcore enthusiasts. That’s when Toyota decided to take things a bold step further and produce a one-off supercar concept that would remind the world of what Celicas could really do.

The 2000 Toyota Ultimate Celica project was spearheaded by a small, passionate team of Toyota USA executives—Jim Press, Yale Gieszl, and Bryan Bergsteinsson of the Lexus division—who shared a clear vision: a 500-horsepower, all-wheel-drive Celica that could compete with supercars on paper. (Picture from: Pinterest)

Enter the 2000 Toyota Ultimate Celica, a car designed not for mass production but to showcase Toyota’s engineering audacity. The project was spearheaded by a small, passionate team of Toyota USA executives—Jim Press, Yale Gieszl, and Bryan Bergsteinsson of the Lexus division—who shared a clear vision: a 500-horsepower, all-wheel-drive Celica that could compete with supercars on paper, if not in showrooms. To bring this vision to life, they collaborated with Rod Millen Motorsports, tapping into the expertise of a man known for his record-setting Pikes Peak Tacoma and championship-winning race cars.

The 2000 Toyota Ultimate Celica new body pieces widen the vehicle by 3.8-inches in the front and 3.2 in the rear. (Picture from: HotCars)

The Ultimate Celica was far from a mere bodykit exercise. Its 1.8-liter four-cylinder engine was heavily modified, drawing inspiration from Toyota’s early ’90s IMSA GTP racing cars. It featured Mahle forged pistons, titanium con rods, a billet crankshaft, custom headers, and a Garrett T04 ball-bearing turbocharger running at 22 psi. This setup produced a staggering 500 horsepower at 8,000 rpm and 340 lb-ft of torque at 5,500 rpm, all managed through a five-speed manual transmission borrowed from the GT-4 rally car. 

The 2000 Toyota Ultimate Celica powered by 1.8-liter four-cylinder engine was heavily modified, drawing inspiration from Toyota’s early ’90s IMSA GTP racing cars. (Picture from: Wikipedia)

To handle the immense power, the team installed the GT-4’s all-wheel-drive system with a Torsen rear differential and viscous center coupling, alongside upgraded Bilstein suspension, racing-inspired brakes, and a custom roll cage for rigidity and safety. Inside, the cabin received Recaro racing seats with four-point harnesses, maintaining a balance between road usability and track readiness.

The 2000 Toyota Ultimate Celica styled at Toyota’s Calty design center in Newport Beach, California, it took cues from Champ Cars, featuring a boxy rear wing, a formula car-inspired front nose, and widened fenders to accommodate 19-inch BBS magnesium wheels wrapped in Michelin Pilot tires. (Picture from: CCDiscussion)

Visually, the Ultimate Celica screamed performance. Styled at Toyota’s Calty design center in Newport Beach, California, it took cues from Champ Cars, featuring a boxy rear wing, a formula car-inspired front nose, and widened fenders to accommodate 19-inch BBS magnesium wheels wrapped in Michelin Pilot tires. The car’s stance alone suggested it wasn’t here to blend in with ordinary Celicas—it demanded attention. | G9jY73pGwK0 |

Performance numbers confirmed the hype. Despite notable turbo lag off the line, the Ultimate Celica rocketed to 60 mph in 4.9 seconds and covered a quarter-mile in 13.3 seconds at 108 mph, with a 60–100 mph sprint clocked at 6.7 seconds—comparable to contemporary Porsche 996 Turbos. It wasn’t just a concept; it was proof that Toyota could take a humble sports coupe and transform it into something audaciously fast, yet still grounded in motorsport DNA. 

The 2000 Toyota Ultimate Celica's new body pieces widen the vehicle by 3.8-inches in the front and 3.2 in the rear. (Picture from: CCDiscussion)

Today, the Ultimate Celica remains a rare and largely unseen chapter in Toyota’s performance history. It reportedly spent time at the Toyota USA Automobile Museum in California, and while it never reached production, its legacy endures as a reminder of what could have been—a bridge between rally-bred heritage and street-level supercar ambition. Meanwhile, the seventh-generation Celica continues to be celebrated for its lightweight, nimble design, with affordable examples still available for enthusiasts looking for a practical sports coupe, or for those seeking the previous GT-4 models for a taste of full-blown rally magic.

 

The Ultimate Celica may never have reached the roads, but it remains a fascinating snapshot of Toyota’s willingness to dream big—a 500-horsepower reminder that even everyday models can harbor extraordinary potential. *** [EKA | FROM VARIOUS SOURCES | HOTCARS | SUPERCARS.NET | CCDISCUSSION ]

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MZ Streamliner: 1968 Moped Reimagined by Engineer Sebastian Brandt

Moped Metamorphosis - Attracted to the quirky charm of simple two-stroke mopeds? You’re not alone. There's something timeless about these utilitarian machines — especially when they’re reborn as something totally unexpected. That’s exactly what happened when a decades-old East German motorcycle was transformed into a stunning, retro-futuristic masterpiece that captivated the crowd at one of Europe’s biggest custom bike events. Meet the MZ “Streamliner,” a showstopper that broke all the rules and turned simplicity into striking elegance.

The MZ Streamliner, a fully custom 1968 moped reimagined by engineer Sebastian Brandt with retro-futuristic bodywork. (Picture from: BikeBound)

The original machine behind this creation was a 1968 MZ ES150 — a bike built in an era when practicality came before polish. Designed in East Germany during the Cold War, this 143cc two-stroke wasn’t trying to win races or look flashy. It was built to get people to work, to the market, and back again, rain or shine. It had clever details like enclosed chains, splash shields, and deeply valanced fenders — all engineered for durability, not style.

The machine at the heart of this creation was a 1968 MZ ES150 — built in a time when function came before flash. (Picture from: BikeBound)

But as with many motorcycles from the Eastern Bloc, there was something quietly intriguing about the ES series — a sense that it came from a parallel universe where function shaped form in surprising ways. That curiosity was exactly what sparked the imagination of a mechanical engineer named Sebastian Brandt, who decided to take this humble commuter and give it a completely new identity.

What emerged was the MZ Streamliner — a sleek, sculpted custom bike that looks like it rode in from a retro sci-fi dream. (Picture from: BikeBound)

In 2023, at the age of 47, Brandt took a leap back into the world of motorcycle building after years away from the garage. Working out of a small workshop behind his home, he chose the vintage MZ as a blank canvas and set out to reimagine it without rules or limitations. His vision was to craft a motorcycle not dictated by trends or tradition, but by creativity, balance, and fluid design.

The MZ Streamliner captivates at first glance with its shimmering bodywork, graceful curves, and seamless, automotive-inspired form. (Picture from: BikeBound)

What emerged was the Streamliner — a sleek, curvaceous custom motorcycle that looks like it rolled straight out of a retro sci-fi film. At first glance, its shimmering bodywork draws you in with graceful contours and almost automotive proportions. The lines are smooth, the surfaces seamless, the aesthetic unlike anything else at the show. Think 1960s concept car meets minimalist futurism — yet still unmistakably MZ at heart.

 

Beneath the sculpted fairings, the original 143cc engine was replaced with a larger powerplant from the MZ ES250/2, giving the bike a more muscular tone while staying true to the spirit of its lineage. But the real showpiece is the tail section — and here’s where it gets wildly inventive. 

The MZ Streamliner features a rear end not originally designed for a motorcycle, using rear fenders and taillights from the quirky East German Trabant 601, whose cotton fiber and phenolic resin body panels provided an early form of composite material. (Picture from: BikeBound)

The Streamliner’s rear end isn’t motorcycle-born at all. Brandt sourced rear fenders and taillights from a Trabant 601 — the famously quirky East German car — whose body panels were made of cotton fiber and phenolic resin, an early composite material. These parts were cut, reformed in all directions, and structurally reinforced to become part of a motorcycle they were never meant to touch. The result? A rear profile that’s as dramatic as it is unexpected.

The MZ Streamliner is held together by a stainless steel subframe bonded into the fiberglass-reinforced fairing and supported by laminated aluminum, with even the seat base hand-shaped, molded, and seamlessly integrated into its flowing form. (Picture from: BikeBound)

To hold everything together, Brandt built a stainless steel subframe that was bonded into the fiberglass-reinforced fairing, supported further with laminated aluminum. Even the seat base followed suit — hand-shaped, molded, and seamlessly integrated into the flowing body. Almost every component on the Streamliner was either re-engineered or crafted from scratch, with only the speedometer retained from the original ES150. For structure and finish, even thin perforated steel mesh was laminated into the upper shell, giving both rigidity and subtle detail. 

The MZ Streamliner didn’t just impress—it triumphed, earning Sebastian Brandt the coveted “Rookie of the Year” award at the 2023 Custombike Show in Germany for his bold design and engineering mastery. (Picture from: BikeBound)

And the timing? As precise as the build itself was, the schedule wasn’t. The Streamliner was finished just three days before its debut at the 2023 Custombike Show in Germany. Its first-ever ride was not on a test track — it was directly onto the show stage, with hundreds of eyes watching. Brandt later described the moment simply, but powerfully: “That felt fantastic.”

The motorcycle didn’t just impress — it triumphed. Sebastian Brandt took home the event’s coveted “Rookie of the Year” award, a well-earned recognition of both his engineering finesse and design courage. It’s not every day you see a Cold War-era commuter reborn as a rolling piece of sculpture — and even rarer to see it done so authentically, and so beautifully, in a modest home garage. | 5McJekCKlzk |

The MZ Streamliner is proof that creativity has no blueprint. With patience, vision, and a love for machines that whisper history, Sebastian Brandt has turned a forgotten moped into a timeless, unforgettable custom motorcycle — one that will continue to inspire builders and dreamers alike for years to come. 

 

Kept spur your adrenaline on the power of two-wheeled monster and stay alive with the true safety riding. May God will forgive Your sins and so does the cops...... *** [EKA | FROM VARIOUS SOURCES | BIKEBOUND | CYCLEWORLD | RAINMAKER1973 IN X ]

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Brasinca 4200 GT: Brazil’s Rare Grand Tourer That Dared to Dream

Brazilian Twist - In the world of automotive legends, there are stories that revolve not around mass production or massive profits, but around ambition, creativity, and a touch of eccentric charm. When people think of classic GT cars, names like Ferrari, Aston Martin, or Jaguar often take the spotlight. But nestled quietly in the pages of history is a rare bird from Brazil — both literally and figuratively — that once dared to dream just as big. That car was the Brasinca 4200 GT, also known as the Uirapuru.

The Brasinca 4200 GT Uirapuru was a Brazilian-built GT car with a long, graceful body that subtly echoed the design cues of its European contemporaries, including the Jensen Interceptor, which debuted two years later. (Picture from: ClassicAndRecreationSportscars in Facebook)

Imagine mid-1960s Brazil — a country brimming with optimism but still grappling with industrial limitations and economic uncertainty. Among the companies attempting to ride this wave of progress was Brasinca, better known for building truck bodies and components than sleek sports cars. Yet, they dared to enter the glamorous world of grand tourers with a vision that was as bold as it was beautiful.

The Brasinca 4200 GT Uirapuru made its debut at the 1964 Salão do Automóvel and immediately stunned the audience of the time. (Picture from: Banovsky)

The Uirapuru was designed by the famous Brazilian designer, Rigoberto Soler, and unveiled at the 1964 Salão do Automóvel, the Brasinca 4200 GT stunned the audience. Here was a Brazilian-built GT car with a long, elegant body, subtly echoing the design language of contemporaries like the Jensen Interceptor — a resemblance so striking that when the Interceptor launched in the UK two years later, comparisons were inevitable. 

The Brasinca 4200 GT Uirapuru chassis, pictured at an auto show in Brazil, showcased its hallmark features like independent suspension and large frame cut-outs. (Picture from: Banovsky)

But the Uirapuru wasn’t just about looks. Under its handcrafted steel skin was a 4.3-liter Chevrolet inline-six, enhanced by a trio of SU carburetors. It offered performance to match its grand touring credentials, especially in the later tuned variants that boasted up to 180 horsepower.

The Brasinca 4200 GT Uirapuru featured the Brasinca emblem and rectangular headlights, likely adapted by Roberto Camarota's workshop. (Picture from: ClassicAndRecreationSportscars in Facebook)

The car wasn’t made in the hundreds, let alone thousands. Brasinca's dream was ambitious, but Brazil’s automotive industry was still maturing, and the challenges of producing a hand-built sports car in such a market were immense. From the beginning of production in 1965, it became clear that costs were going to be a problem. Producing a low-volume, steel-bodied GT in an emerging market with high tariffs was a logistical and financial balancing act — and ultimately not a sustainable one. 

The Brasinca 4200 GT Uirapuru was a sports car built on a custom-designed structure with a hand-formed steel body—unlike the fiberglass often used in artisanal manufacturing—and was powered by a 4.3-liter Chevrolet inline-six engine enhanced with three SU carburetors. (Picture from: ClassicAndRecreationSportscars in Facebook)

Just over a year into the venture, Brasinca passed the torch to Sociedade Técnica de Veículos (STV), who continued production and slightly refined the design and performance. Two main versions emerged under their management: the 4200 S with 160 horsepower and the hotter 4200 SS with 180. There was even a more aggressive GTS model featuring imported performance components and an output of 171 horsepower — a rare treat for local enthusiasts.

The Brasinca 4200 GT Uirapuru convertible version was one of only three ever built, making it an exceptionally rare piece of Brazil’s automotive history. (Picture from: ClassicAndRecreationSportscars in Facebook)

STV kept the Uirapuru name alive for a short time, even creating a one-off sport-wagon variant for a television show called Águias de Fogo — an offbeat chapter in a story already full of surprises. But all dreams, especially the fragile ones born of passion, face their limits. By July 1967, STV had gone bankrupt, and with it, the Uirapuru disappeared from production. Only 77 examples were ever built, including a mere three convertibles — a fleeting glimpse of what Brazil's auto industry could achieve when vision met craftsmanship, even if the scale never matched the ambition.

The Brasinca 4200 GT Uirapuru Gaviao was the only sport-wagon version ever produced, specially created for the Brazilian television series Águias de Fogo, adding a unique and cinematic twist to the car’s brief but fascinating history. (Picture from: ClassicAndRecreationSportscars in Facebook)

Even though it didn’t last long, the Brasinca 4200 GT remains a fascinating piece of automotive history — not just for its distinctive design or extreme rarity, but for what it represented. It was Brazil’s bold entry onto the global stage of performance cars, not through imitation, but by crafting something entirely its own. With its hand-built steel body, unique styling, and a heart borrowed from American muscle, it carried the spirit of innovation wrapped in elegant curves. | Y3bWcR-cS-g | 

Fittingly named after the Uirapuru — a rare Amazonian bird known for its hauntingly beautiful song — the car was never built to dominate the market. It was built to leave an impression. And it did. Seen by few, cherished by fewer, the Brasinca 4200 GT lives on not in volume, but in memory — a brief, brilliant melody still quietly echoing in the hearts of those who know where to listen. *** [EKA | FROM VARIOUS SOURCES | AUTA5P.EU | WIKIPEDIA | ANOSDOURADOS | CLASSIC AND RECREATION SPORTSCARS IN FACEBOOK | AUTOMOBILE.FANDOM | BANOVSKY ]

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The Lost Legend: Frank Kurtis' 1941 Buick Special

Metal Myth - Some of the greatest automotive innovations have come not from massive factories, but from the hands of passionate individuals who saw potential where others saw scrap. In the golden era of American car culture, one man’s vision turned a wrecked sedan into a rolling piece of art—and perhaps even the seed of an idea that would influence sports cars for years to come. That man was Frank Kurtis, and the car in question was the breathtaking 1941 Buick Special Kurtis-Kraft.

The 1941 Buick Special Kurtis-Kraft, born from the remains of a nearly new but wrecked Buick Century sedan, wasn’t built for trophies or podiums—but reimagined by Frank Kurtis from the chassis up for the pure thrill of the open road. (Picture from: JalopyJournal)

Frank Kurtis is widely respected as a mastermind of race car design, especially in the world of Midget and Indy cars. His name is nearly synonymous with speed and innovation. But beyond the racetrack, Kurtis had a flair for style and craftsmanship that came alive in a much more personal project—one that wasn’t built for trophies or podiums, but for the open road. Starting with a nearly new but crashed 1941 Buick Century sedan, Kurtis stripped away the ruined factory body and reimagined the car from the chassis up. 

Frank Kurtis proudly posed alongside his handcrafted creation, the 1941 Buick Special—a one-of-a-kind custom car that embodied his vision, skill, and bold departure from the world of pure racing. (Picture from: JalopyJournal)

He didn't simply repair the car; he reinvented it. The original frame was shortened and reworked to drop the ride height, giving it a sportier, more dramatic stance. Over this new foundation, Kurtis hand-fabricated a sleek aluminum body that echoed the elegant forms seen in Coachcraft designs of the time. The attention to detail was astonishing: cast aluminum was used for the cowl and windshield frame, all chrome trim was custom made, and he even engineered clever features like cable-operated hood and trunk releases. The interior was no afterthought either—fold-down seats and a removable top with a curved plastic rear window added both function and flair.

Frank Kurtis' 1941 Buick Special made its debut in May 1948 under the bright spotlight of the Indianapolis 500. (Picture from: Kustomrama)

The car made its debut in May 1948 under the bright spotlight of the Indianapolis 500. Driving it from California to Indiana, Kurtis and his creation caused a stir. The response from fans and automotive journalists alike was electric. Tom McCahill, a well-known figure in the world of automotive writing, was so impressed that he featured the car in the October 1948 issue of Mechanix Illustrated. That coverage, and the excitement around the Buick, sparked something bigger for Kurtis.

The 1941 Buick Special Kurtis-Kraft invites you into a cabin where an ivory bench seat, red dashboard, classic gauges, and custom steering wheel embody handcrafted luxury and one man's sculpted vision in metal. (Picture from: Kustomrama)

At the time, midget car racing was losing steam. Kurtis had been considering a new project—a lightweight sports car version of an earlier vehicle design—but it never got off the ground. Instead, the Buick Special itself seemed like the perfect template for a new kind of American road car. Stylish, innovative, and clearly capable of turning heads, it became more than a one-off—it inspired Kurtis to build and sell his own sports cars, helping to define what an American performance car could be.

The 1941 Buick Special Kurtis-Kraft boasts a gleaming, polished straight-eight engine—its precise layout of cables, carburetors, and curves a testament to Kurtis’s passion for detail and performance: functional art shaped by the racetrack. (Picture from: Kustomrama)

Years later, the Buick was rediscovered and lovingly restored by Joe Baird with collector Greg Schneider in Minnesota. It even resurfaced briefly at the Auburn RM auction in 2011, but didn’t sell. Since then, the trail has gone quiet. Whether it’s nestled in a private collection or hidden away in storage, the whereabouts of the 1941 Buick Special Kurtis-Kraft remain a mystery. But its legacy—born from the fusion of racecraft and artistry—still speaks loudly.  

The 1941 Buick Special Kurtis-Kraft commands attention from the rear with its bold red finish, integrated tail fins, rear window, flowing chrome accents, and proudly placed "Kurtis" nameplate—an arresting fusion of Jet Age futurism and handcrafted American artistry. (Picture from: Kustomrama)

Frank Kurtis didn’t just build cars—he sculpted motion out of metal. With the Buick Special, he created more than a machine; he left behind a milestone of imagination. If you know anything about this remarkable vehicle or where it might be today, your insights would be invaluable. Who knows—maybe one day, this extraordinary creation will reappear, ready to captivate the world once more with its unmatched design and presence. *** [EKA | FROM VARIOUS SOURCES | JALOPYJOURNAL | KUSTOMRAMA | HAGERTY | UNDISCOVEREDCLASSICS | BARCHETTA.MEDIACENTRE.PLUS ]

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Is the Ferrari Testarossa-Based Alcador Concept a Sci-Fi Dream Come True?

Futuro-Weird Icon - Sometimes, a car comes along that makes you question whether it rolled out of a factory or landed from another planet. In the case of the Ferrari Testarossa-based Alcador, the design feels so surreal that you could almost believe it was reverse-engineered from alien technology. Yet, the real story is far more fascinating — it’s the work of Swiss automotive visionary Franco Sbarro and his team of students, who turned a familiar Italian supercar into a one-of-a-kind piece of rolling sculpture.

This early iteration of the Sbarro Alcador was built in 1995 by Franco Sbarro for collector Ludovic Binder, based on his Ferrari Testarossa. (Picture from: ClassicDriver)

The Alcador’s story began when auto collector Ludovic Binder commissioned Sbarro to reimagine his own Ferrari Testarossa. The name “Alcador” came from the initials of Binder’s three daughters — Aline, Catherine, and Dorine — a personal touch for a project that was anything but ordinary. Using the same 180-degree V12 engine and five-speed manual gearbox from the original Testarossa, Sbarro shortened the chassis and then went in a completely different direction visually. The result was a car that looked decades ahead of its time.

The Sbarro Alcador eliminated the standard roofline and windshield, instead showcasing transparent scissor doors and seats molded directly into the body. (Picture from: ClassicDriver)

Gone was the standard roofline and windshield. Instead, the Alcador featured transparent scissor doors and seats molded directly into the body. In the early ’90s, this was a radical departure from anything Ferrari or its competitors were offering. It’s the kind of boundary-pushing design language that today’s multimillion-dollar open-top speedsters from Ferrari, Aston Martin, or McLaren are only just beginning to echo — except Sbarro did it nearly thirty years earlier.

The Sbarro Alcador featured a pair of sweeping longitudinal arches running from the front of the cockpit to the rear, which not only channeled air from the headlights through the body to the taillights but also served as rollover protection, perfectly blending form and function. (Picture from: ClassicDriver)

One of the Alcador’s most distinctive features was its pair of sweeping longitudinal arches that extended from the front of the cockpit to the rear. They weren’t just there to look dramatic; these curves served two purposes. First, they channeled air from intakes at the headlights through the body and out near the taillights. Second, they doubled as rollover protection — proof that function and form can be perfectly blended.

The Sbarro Alcador featured an interior worthy of its design, with two red leather seats sculpted directly into the chassis. (Picture from: ClassicDriver)

Only three Alcadors were ever built. This particular example, displayed at the 1995 Geneva Motor Show, is the only road-registered version and remains in nearly original condition, apart from the addition of two side mirrors. With just over 4,000 km on the odometer, it stands as one of the rarest and most unconventional expressions of Ferrari’s legendary Testarossa platform.

The Sbarro Alcador also featured a custom dashboard paired with a three-spoke Ferrari sporty steering wheel, its center housing the relevant analog clocks of the era. (Picture from: ClassicDriver)

But Sbarro didn’t stop there. Years later, he evolved the concept into a new line called the Alcador GTB. The first appeared in 2008 at the Geneva Auto Show, this time built on a Ferrari 348 platform but still keeping the spirit of the original alive. A year later, a second GTB arrived, now based on the Ferrari 360 and powered by its V8, delivering around 400 horsepower — the same figure as its predecessor but with a fresh aerodynamic shape and four additional air intakes up front.

The Sbarro Alcador was built on a shortened Testarossa chassis and took a radically different visual direction, resulting in a car that looked decades ahead of its time. (Picture from: ClassicDriver)

The third and final interpretation, the Alcador GTB LO (Lista Office) GT, returned to its Testarossa roots. Sponsored by Martin Lienhard, it carried the Autobau name along its side skirts — a nod to Lienhard’s car museum, which also houses several other Sbarro creations. This series not only showed Sbarro’s willingness to experiment but also demonstrated how a single idea could evolve into multiple bold expressions without losing its essence. For a detailed overview of the three Alcador GTB versions, please refer to this link. Although there’s no video of this car, here is a video showcasing one of the Alcador GTB variants. | AEdlqT8f4U4 |

Looking back now, the Alcador stands as proof that creativity in car design doesn’t have to be restrained by convention. What started as a Ferrari Testarossa became a futuristic dream machine that still feels ahead of its time — whether you see it as art, engineering, or a visitor from a far-off galaxy. Franco Sbarro didn’t just modify a car; he created an automotive legend that refuses to be forgotten. *** [EKA | FROM VARIOUS SOURCES | THIESEN-AUTOMOBILE | PHCALVET.FR | SBARRO | MOTOR16 | CLASSICDRIVER | CARBUZZ | SUPERCARS.NET | CARSTYLING.RU | CARSCOOPS | MOTORLEGEND | ITALIASPEED ]

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The Vampire Car That Refused to Die: Škoda 110 Super Sport 'Ferat'

Feral Elegance - There’s something fascinating about the way cars sometimes slip beyond their role as mere machines and end up living a second life in culture, film, or even folklore. Some of the most striking examples started as wild concept cars—built more for imagination than production—and then somehow escaped obscurity. One such survivor is the Škoda 110 Super Sport, a car that not only embodied the design daring of its era but also became immortal thanks to a vampire twist straight out of cinema.

The Škoda 110 Super Sport 'Ferat,' a car that not only embodied the design daring of its era but also became immortal thanks to a vampire twist straight out of cinema. (Picture from: BelowTheRadar)

Back in the late 1960s and early 1970s, Škoda was not the kind of brand most people associated with flashy concept cars. Yet, while many automakers behind the Iron Curtain focused on practicality, Škoda was willing to dream. Among its experiments was the 110 Super Sport, unveiled in 1971 with styling that looked like it had been drawn with a ruler in the age of geometric, origami-inspired car design.

The Škoda 110 Super Sport unveiled in 1971 with styling that looked like it had been drawn with a ruler in the age of geometric, origami-inspired car design. (Picture from: BelowTheRadar)

Its wedge-shaped body sat low and sharp, and instead of doors it had a dramatic one-piece canopy that lifted upward, almost like a fighter jet. At the rear, sixteen circular lights were arranged to mimic the afterburners of a rocket, while up front a bank of pop-up headlights kept it in line with the most futuristic machines of the day.

The Škoda 110 Super Sport' wedge-shaped body sat low and sharp, and instead of doors it had a dramatic one-piece canopy that lifted upward, almost like a fighter jet. (Picture from: BelowTheRadar)

Unlike many concept cars, the 110 Super Sport was more than just a shell. It was a working prototype, initially fitted with an 1107cc engine before receiving an 1147cc unit borrowed from the 110 L Rallye. There were whispers it could go into small-scale production, but as often happened with concepts of that time, those talks never materialized. The car did, however, make a splash at home and abroad, debuting locally in late 1971 and then at the Brussels Motor Show the following year. It could easily have ended its story there—an admired prototype consigned to memory—but fate had something stranger in store.

The Škoda 110 Super Sport 'Ferat' found its way onto the big screen in a Czech sci-fi comedy in 1977. (Picture from: BelowTheRadar)

In 1977, the 110 Super Sport found its way onto the big screen in a Czech sci-fi comedy. Just a few years later, in 1981, it would undergo a transformation that cemented its legacy. Artist and costume designer Theodor Pištěk—who would later win an Academy Award for his work with director Miloš Forman—reshaped the car for the cult horror film Ferat Vampire.  

The Škoda 110 Super Sport 'Ferat' takes center stage, filmed in real rally action alongside Ford Escorts, Opel Asconas, Renaults, and other competitors. (Picture from: BelowTheRadar)

Out went the pop-up headlights, replaced by fixed lamps, and in came new rear clusters borrowed from the then-upcoming Škoda 120. Stylish BBS wheels were bolted on, a sinister black finish was applied, and pinstriping gave it an otherworldly presence. The result was no longer just a futuristic prototype; it was a machine reborn for cinema.

The Škoda 110 Super Sport 'Ferat' today resides in Škoda’s museum, serving as a permanent reminder that concept cars can sometimes live far beyond their original purpose. (Picture from: BelowTheRadar)

Renamed the “Ferat,” the car became a character in its own right, portrayed as a supernatural vehicle that fed on the blood of its drivers through the throttle pedal. In the film’s darkly comic storyline, an ambulance driver is recruited to race for the mysterious Ferat rally team, only for his doctor friend to uncover the car’s deadly secret. 

The Škoda 110 Super Sport 'Ferat' featured with a new rear clusters borrowed from the then-upcoming Škoda 120, stylish BBS wheels bolted on, a sinister black finish applied, and pinstriping added, giving it an otherworldly presence. (Picture from: BelowTheRadar)

Amid all this, the Škoda takes center stage, filmed in real rally action alongside Ford Escorts, Opel Asconas, Renaults, and other competitors. The movie itself may not have been particularly terrifying, but the imagery of the Ferat burning across stages remains unforgettable.

Škoda revived the Ferat look in 2016 when it ran a Fabia R5 rally car in full Ferat livery at the Bohemia Rally, a nostalgic nod to the legend. (Picture from: BelowTheRadar)

This unusual blend of design innovation and cinematic myth has ensured the Škoda 110 Super Sport never faded into obscurity. Today, the very same Ferat car resides in Škoda’s museum, a permanent reminder that sometimes concept cars can live far beyond their original purpose. Its influence has even reached modern times—Škoda revived the Ferat look in 2016 when it ran a Fabia R5 rally car in full Ferat livery at the Bohemia Rally, a nostalgic nod to the legend. | dB8RpdHuGuo |

What began as an experimental wedge-shaped prototype has since become a cultural touchstone, known not just to car enthusiasts but to generations who grew up seeing it on screen. The Škoda 110 Super Sport ‘Ferat’ is proof that cars can be more than transportation; they can turn into icons, storytellers, and even vampires—at least in the right hands. *** [EKA | FROM VARIOUS SOURCES | BELOWTHERADAR ]

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