The Willys Interlagos: Brazil’s Rare Sports Car Born from Alpine Racing Heritage

Transcontinental Legacy - In the early 1960s, the global car industry was quietly experimenting beyond its traditional borders, and some of the most fascinating results came from unlikely places. While Europe was refining the formula for lightweight sports cars, Brazil was beginning to define its own automotive voice. From this intersection of ambition and opportunity emerged the Willys Interlagos, a machine that blended French racing DNA with South American ingenuity and signaled a bold step forward for a young industrial landscape. 

The Willys Interlagos A108 Berlineta, a machine that blended French racing DNA with South American ingenuity and signaled a bold step forward for a young industrial landscape.. (Picture from: BringATrailer)

The Willys Interlagos was closely related to the Alpine A108, a model celebrated for its success in European road racing throughout the 1960s. Designed by Giovanni Michelotti, the car shared the same graceful proportions, compact dimensions, and aerodynamic curves that emphasized balance over excess. Its fiberglass body kept weight low, giving the Interlagos a purposeful stance that felt both elegant and sporty, even by modern standards. The design managed to look refined without losing the raw character expected from a competition-inspired car of its era. 

The Willys Interlagos A108 Berlineta features a lightweight fiberglass body that enhances agility while giving it a purposeful stance that remains both elegant and sporty even today. (Picture from: BringATrailer)

Mechanically, the Interlagos drew heavily from Renault Dauphine components, the result of a partnership between Willys-Overland, Renault, and Alpine. Various inline-four engines were used during its production run, most notably the 845 cc unit, delivering modest power figures that were offset by the car’s light construction and rear-engine layout. Inside, the cabin reflected the clean, functional aesthetic of the 1960s, featuring simple vinyl trim, straightforward gauges, and an atmosphere focused on driving rather than luxury. 

The Willys Interlagos A108 Berlineta showcases a cabin that reflects the clean, functional aesthetic of the 1960s, with simple vinyl trim, clear instrumentation, and a driver-focused atmosphere rather than luxury. (Picture from: BringATrailer)

The car was built by Willys do Brasil in São Paulo, during a period when the Willys name still carried industrial weight in South America. Although Willys is often remembered primarily for its military Jeeps, its Brazilian operations played a key role in expanding the company’s identity. Introduced in 1961, the Interlagos became the first sports car manufactured in Brazil, symbolizing both technical confidence and a desire to compete on an international stage, even as the brand itself was approaching major corporate changes. 

The Willys Interlagos A108 Berlineta used Renault Dauphine-based inline-four power, including the 845 cc engine, paired with a lightweight rear-engine layout for lively performance. (Picture from: ClassicVirus)

Commercial success, however, was limited. From 1961 to 1966, only about 822 Interlagos cars were produced across all body styles, making it a rare vehicle even in its home country. Yet its impact on motorsport was far greater than its sales numbers suggest. The Interlagos enjoyed a notable racing career and helped nurture some of Brazil’s most iconic drivers, including the Fittipaldi brothers, securing its place in the golden age of Brazilian motorsport. | zXBoXe8j8eo | tfHgBNZj38Q |

Decades later, the spirit of the Interlagos continues to resonate beyond its original production years. That legacy was reinterpreted in 2015 with the Willys AW308 Berlineta by Carrozzeria Viotti in collaboration with Maggiora, a modern project that looked back to Willys’ rich history while embracing contemporary design and craftsmanship. By bridging past and present, it reaffirmed how the story of Willys—once rooted in innovation, racing passion, and cross-continental collaboration—can still feel relevant in a modern automotive world. *** [EKA | FROM VARIOUS SOURCES | AUTOEVOLUTION | CLASSICVIRUS | BRINGATRAILER ]

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The Keating ZKR: A Radical British Hypercar Born from Pure Ambition

Raw Conviction - The supercar world has always been fueled by ambition, excess, and the constant urge to go faster than what came before. While global attention often gravitates toward established manufacturers, moments of genuine disruption tend to come from smaller players willing to take bigger risks. That atmosphere defined the early 2010s, when a British manufacturer stepped forward with an uncompromising machine known as the Keating ZKR—a car designed not to blend in, but to challenge the limits of what a road-going supercar could represent. 

The Keating ZKR—a car designed not to blend in, but to challenge the limits of what a road-going supercar could represent. (Picture from: Supercars.net)

Unveiled to the public at the Top Marques Monaco show in 2011, the Keating ZKR was developed by Keating Supercars, a Manchester-based company led by British designer Anthony Keating. At the time, the brand had already gained modest attention through its earlier SKR and TKR models, both of which showcased a fascination with extreme performance. With the ZKR, that fascination became a clear mission statement. Keating openly set its sights on the world’s leading supercars, aiming to rival—and potentially surpass—the performance benchmarks set by manufacturers in Italy, Germany, and the UK itself. 

The Keating ZKR was developed by Keating Supercars, and unveiled to the public at the Top Marques Monaco show in 2011. (Picture from: GTSpirit)

The ZKR’s design emphasized function over theatrics. Its low, wide proportions communicated speed and aggression, even though the prototype displayed in Monaco was visibly unfinished. Rather than hiding this, Keating allowed the engineering to speak for itself. At the core of the car sat a monocoque chassis that had undergone years of refinement, engineered to minimize the center of gravity. One of its most distinctive solutions was the use of dual low-lying fuel tanks integrated directly into the chassis, a layout chosen to enhance structural rigidity, balance, and overall performance rather than visual appeal. 

The Keating ZKR reveals a striking blue leather interior with a minimalist driver-focused cockpit, exposed structure, and dramatic upward-opening door design. (Picture from: Supercars.net)

Beneath the bodywork, the ZKR’s mechanical ambition bordered on the extreme. Power was supplied by a 427 cubic-inch V8 engine using a rare combination of twin turbocharging and supercharging. Depending on configuration, Keating claimed outputs ranging from 600 horsepower to as much as 2,200 horsepower at maximum boost. Engine development involved collaboration with Nelson Racing Engines in California, a specialist known for high-performance racing and street applications. While such figures were never independently verified, they contributed to the ZKR’s reputation as a car conceived at the outer edge of possibility rather than within conventional limits. 

The Keating ZKR uses a refined monocoque chassis with dual low-mounted fuel tanks to lower its center of gravity and improve rigidity and balance. (Picture from: Supercars.net)

Equally important was how the ZKR was intended to be built and owned. Keating emphasized that every example would be hand-built in England to customer-specific orders, allowing bespoke exterior coachwork and interior trim choices. This approach reflected a belief that extreme performance did not have to come at the expense of individuality or ownership practicality. Long service intervals and a focus on usability were part of the original design brief, setting the ZKR apart from hypercars that existed purely as technical showcases. | HN2HuXywHmk |

Viewed today, the Keating ZKR stands as a defining chapter in the company’s story—a raw, experimental statement shaped by ambition more than restraint. Its ideas, engineering priorities, and willingness to challenge convention would not disappear after 2011. Instead, they quietly laid the foundation for Keating’s next evolution, culminating years later in the arrival of the Keating Berus in 2017, a model that carried forward the ZKR’s spirit while presenting it in a more refined and contemporary form. *** [EKA | FROM VARIOUS SOURCES | MOTORAUTHORITY | GTSPIRIT | SUPERCARS.NET | PISTONHEADS ]

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The 2026 DS Taylor Made N°4 and the Art of Turning Racing into Design

Racing Artistry - In a time when car design often feels shaped by algorithms and market forecasts, moments of genuine creative expression stand out. That spirit is exactly what DS Automobiles tapped into when it introduced the DS Taylor Made N°4, a concept car that blurs the line between motorsport passion, personal identity, and contemporary automotive design. Unveiled at the 2026 Brussels Motor Show, the project is less about spectacle and more about storytelling—how a modern performance brand translates racing DNA into something emotional, wearable, and unmistakably human. 

The 2026 DS Taylor Made N°4 concept car was revealed at the Brussels Motor Show on January 9, 2026, and was crafted in collaboration with the brand’s Formula E driver, Taylor Barnard. (Picture from: AutoJournal.fr)

At its core, the Taylor made N°4 is built on the DS N°4, a key model in the brand’s lineup, but the transformation is immediately visible. The front grille integrates a bold “N°4” graphic as a central design element, flanked by pixel-inspired headlamps that give the car a distinctly digital, future-facing presence. Its stance is lower and wider than the standard model, enhancing both visual drama and aerodynamic intent. Subtle cues borrowed from racing simulators and video games shape its proportions, making the car feel as if it belongs as much in a virtual world as it does on the road. 

The 2026 DS Taylor Made N°4 concept car features a bold “N°4” graphic integrated into the front grille, flanked by pixel-inspired headlamps that create a distinctly digital, forward-looking presence. (Picture from: Independent.co.uk)

The concept was developed by the DS Design Studio in close collaboration with Taylor Barnard, the young British driver who joined the DS PENSKE Formula E Team. Rather than serving as a mere ambassador, Barnard played an active creative role, sharing his preferences and influences with the brand’s Colours, Materials and Finishes specialists. His taste for dark, monochrome tones punctuated by sharp accents led to a layered palette dominated by greys, purples, and metallic textures. The result is a car that reflects its co-creator’s personality while remaining true to DS Automobiles’ design language. 

The 2026 DS Taylor Made N°4 concept car uses material choice as a narrative device, with titanium symbolizing lightness and competition through four distinct expressions ranging from raw industrial textures to glossy, motion-enhancing surfaces. (Picture from: AutoJournal.fr)

Material choice becomes a narrative tool throughout the Taylor made N°4. Titanium, a symbol of lightness and competition, appears in four distinct interpretations, ranging from raw, industrial finishes to glossy, reflective surfaces that emphasize motion. One of the most striking elements replaces traditional carbon fiber with a crinkled, metal-like textile inspired by racing equipment, applied by hand in aerodynamic zones. This craftsmanship-driven approach reinforces the idea that performance is not only engineered, but also shaped by skilled human hands. 

The 2026 DS Taylor Made N°4 concept car replaces traditional carbon fiber with a hand-applied, crinkled metal-like textile inspired by racing equipment in its aerodynamic zones.(Picture from: AutoJournal.fr)

Details further anchor the concept in Barnard’s racing world. Light gold accents—DS Performance’s signature color—appear on mirrors, wheel centers, and badges, while flashes of purple mark door openers and exterior identifiers. His racing number, 77, is discreetly woven into the lighting elements and body graphics, rewarding close inspection rather than demanding attention. Inside and out, the car feels cohesive, as if every surface and symbol has been deliberately placed rather than added for effect. 

The 2026 DS Taylor Made N°4 concept car extends beyond its physical form by reinforcing DS Automobiles’ long-standing Formula E commitment, where racing success continues to shape road-going innovation. (Picture from: Independent.co.uk)

Beyond its physical form, the Taylor made N°4 carries broader relevance. It reinforces DS Automobiles’ long-standing involvement in Formula E, a championship where the brand has secured multiple world titles and consistently used competition as a testing ground for road-going innovation. The concept also acts as a bridge to production models, echoing the design philosophy and electrified technology found in the DS N°4 Performance Line editions. | gIKgXU18Jvc |

Even its presence in a virtual driving experience on Roblox speaks to a modern understanding of how audiences connect with cars today—through screens, stories, and shared experiences. In that sense, the DS Taylor made N°4 is not just a concept car, but a snapshot of how performance, personalization, and culture intersect in the current automotive era. *** [EKA | FROM VARIOUS SOURCES | CARSTYLING.RU | NETCARSHOW | INDEPENDENT.CO.UK | AUTOJOURNAL.FR ]

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L’Automobile Ventura: Brazil’s Little-Known Sports Car with Big Ambitions

Hidden Ambition - Car history is often told through big names and mass-produced icons, yet some of the most fascinating stories come from machines built far from the global spotlight. In the late twentieth century, Brazil quietly became a laboratory for inventive, small-scale sports cars that blended ambition with practicality. One of the most intriguing results of that era was the L’Automobile Ventura, a car that still prompts the question many enthusiasts ask today: had you ever seen one before? 

The L'Automobile Ventura was developed in São Paulo by L’Automobile Distribuidora de Veículos Ltda, a Brazilian grassroots manufacturer. (Picture from: Silodrome)

The Ventura was developed in São Paulo by L’Automobile Distribuidora de Veículos Ltda, a grassroots manufacturer founded in 1976 by Claudio Campuzzano and Guillermo Pardo. After finding early success with a fiberglass replica of the 1931 Alfa Romeo 8C 2300 built on Volkswagen underpinnings, the team chose a very different direction for their next project. Instead of revisiting the past, they aimed to create a forward-looking sports car that felt modern for the late 1970s, while remaining affordable and relatively simple to build. The solution was to retain widely available Brazilian-made Volkswagen running gear and wrap it in a completely new fiberglass body. 

The L’Automobile Ventura retained widely available Brazilian-made Volkswagen running gear, pairing it with an entirely new fiberglass body. (Picture from: Silodrome)

Visually, the L’Automobile Ventura stood apart from the humble VW models it was based on. Its low-slung profile, clean lines, and contemporary proportions reflected mid-1970s design thinking rather than retro nostalgia. The fiberglass body, promoted by the company as a unibody-style construction, helped keep weight down and manufacturing costs manageable. Inside, the Ventura was surprisingly well equipped for a small Brazilian sports car of its time, offering roll-up windows, seating for two, a padded dashboard, full interior panels, carpeting, three-point seatbelts, and even practical touches like a rear-view mirror, windshield wipers, and a front trunk with usable storage space. 

The L’Automobile Ventura offered a well-equipped cabin for its time, with roll-up windows, two seats, carpeting, a padded dash, and three-point seatbelts. (Picture from: Silodrome)

Buyers could tailor the car further with optional features that felt genuinely upscale in its segment. Electric windows, air conditioning, and an AM/FM cassette stereo system with multiple speakers were all available, along with a range of wheel and tire choices. This mix of everyday usability and sporty intent was central to the Ventura’s character. It was designed to feel more refined and contemporary than standard Volkswagens, without straying into exotic or unattainable territory. 

The L’Automobile Ventura was offered in two primary versions: the SLE with a 1.6-liter air-cooled Volkswagen flat-four and the RS with a 1.6-liter liquid-cooled engine from the VW Passat TS. (Picture from: Silodrome)

The Ventura officially debuted in 1978 and was offered in two primary versions. The SLE used a familiar 1.6-liter air-cooled Volkswagen flat-four, while the more performance-oriented RS adopted a liquid-cooled 1.6-liter engine sourced from the VW Passat TS. Production continued through the 1980s, and in 1984 the car received a facelift along with the introduction of a convertible variant. Around the same time, a 1.8-liter air-cooled engine option appeared, eventually becoming standard by 1986. With around 84 horsepower, these later cars were claimed to reach up to 185 km/h, a figure that has since sparked debate among enthusiasts given the modest output and four-speed VW transaxle. 

The L’Automobile Ventura was designed to feel more refined and contemporary than standard Volkswagens, without straying into exotic or unattainable territory. (Picture from: Silodrome)

Over its roughly ten-year production run, which came to an end in 1988, the L’Automobile Ventura consistently occupied a niche position within Brazil’s growing sports car scene. It was offered both as a fully assembled, factory-built vehicle and as a kit car, a flexible approach that appealed to hands-on enthusiasts who could complete the build themselves in a surprisingly short timeframe. While the majority of Venturas remained on Brazilian roads, a small number of kits were exported to markets such as Germany, Argentina, and the United States, where limited distribution and modest sales figures ultimately kept the model largely unknown outside its country of origin. | F4vZWJlePmo |

Today, the Ventura’s rarity outside its home country only deepens its sense of intrigue and appeal among collectors and enthusiasts who value the unusual. It serves as a quiet reminder that meaningful automotive innovation does not always emerge from large, well-funded manufacturers, and that even in overlooked corners of the global car industry, bold ideas, creative engineering, and local ambition can still leave a lasting impression over time. *** [EKA | FROM VARIOUS SOURCES | SILODROME | UNDISCOVEREDCLASSICS | AUTOEVOLUTION ]

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Mazda RX-7 GTO: Rotary Engineering at Its Peak

Rotary Ascendancy - Motorsport history is often shaped by moments when engineering ambition meets perfect timing, and few stories illustrate that better than the rise of the Mazda RX-7 GTO. At the turn of the 1990s, endurance racing in North America was fiercely competitive, dominated by large-capacity turbocharged rivals and factory-backed programs. Mazda entered this arena not by following convention, but by refining its long-standing belief in rotary power and transforming it into a purpose-built GTO-class machine that would quietly redefine what was possible in IMSA competition. 

The Mazda RX-7 GTO projected a controlled yet aggressive presence through its Lee Dykstra–styled carbon composite body over a steel spaceframe, achieving a wide, planted stance at a remarkably low 1,020 kilograms. (Picture from: ProjectMotorRacing)

Visually, the RX-7 GTO carried a presence that balanced aggression with discipline. Its body, styled by Lee Dykstra, was formed from carbon composite panels laid over a steel spaceframe, giving the car a wide, planted stance while keeping weight remarkably low at around 1,020 kilograms. With a length just over 4.3 meters and a width exceeding two meters, the car looked compact yet muscular, designed to cut through air efficiently rather than rely on brute force. Inside, there was no room for excess—only the essentials of a pure racing cockpit: a focused driving position, exposed structure, and instrumentation built for endurance and precision rather than comfort.

The Mazda RX-7 GTO appeared compact yet muscular at just over 4.3 meters long and more than two meters wide, shaped for aerodynamic efficiency rather than brute force. (Picture from: HSRRace)

At the heart of the RX-7 GTO sat Mazda’s most ambitious rotary engine of the era, the 13J four-rotor unit mounted at the front. Producing approximately 600 horsepower at 8,500 rpm from just 2.6 liters of displacement, it delivered an extraordinary specific output and a weight-to-power ratio of under 2 kg per PS. Electronic fuel injection ensured sharp throttle response, while a Hewland five-speed manual transmission sent power to the rear wheels. Advanced suspension layouts with wishbones and inboard dampers allowed the chassis to fully exploit the engine’s high-revving character, resulting in a car that was both brutally fast and mechanically composed. 

The Mazda RX-7 GTO was driven by Mazda’s most ambitious front-mounted 13J four-rotor engine, producing around 600 horsepower at 8,500 rpm from 2.6 liters with an exceptional sub-2 kg-per-PS power-to-weight ratio. (Picture from: MazdaMotorSport in Facebook)

The RX-7 GTO’s competitive debut at the 1990 Daytona Sunbank 24 Hours immediately signaled Mazda’s intent. With Pete Halsmer—already a GTO champion—leading the effort, the car secured pole position against formidable rivals such as the Mercury Cougar XR7 and Nissan 300ZX. Victory narrowly slipped away, but a second-place finish at Daytona set the tone for the season. Consistency followed across Miami, Sebring, and Long Beach, where the RX-7 repeatedly hovered just shy of the top step, proving that its performance was no fluke. 

The Mazda RX-7 GTO used advanced wishbone suspension with inboard dampers to harness its high-revving engine, delivering both raw speed and mechanical stability. (Picture from: MazdaMotorSport in Facebook)

Persistence finally paid off at Topeka, Kansas, where the RX-7 GTO claimed its first long-awaited win, quickly followed by another triumph at Mid-Ohio. Later in the season, at the San Antonio round, Halsmer fought through a hard-charging field from the front row to secure Mazda’s 100th IMSA victory—an achievement reached only 12 years after the brand’s first IMSA appearance at Daytona in 1979. By season’s end, the RX-7 GTO had not only delivered six race wins and an IMSA GTO Championship, but also etched five track records that remarkably still stand today.

Looking back from a modern perspective, the Mazda RX-7 GTO remains more than a successful race car; it represents a high point of rotary-engine development and a bold engineering philosophy that dared to be different. Built in Japan in just two examples, it stands as the most successful model in IMSA history, not because it overwhelmed the field with size or budget, but because it blended innovation, balance, and relentless refinement. In an era now dominated by hybrid systems and strict regulations, the RX-7 GTO continues to resonate as a reminder that creative engineering, when executed with conviction, can leave a legacy that outlasts its time on the track. *** [EKA | FROM VARIOUS SOURCES | SUPERCARS.NET | PROJECTMOTORRACING | HSRRACE | MAZDAMOTORSPORT IN FACEBOOK ]

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Why This One-Off Fiat 124 Spider Rondine Was Meant for the Road

Unfinished Legacy - In the long conversation between Italian design and open-top sports cars, some stories remain quietly tucked away, waiting for the right moment to be told. The Fiat 124 Spider is usually remembered as a cheerful classic of the 1960s, but behind its familiar silhouette lies a lesser-known chapter that feels surprisingly relevant today. That chapter is the Fiat 124 Spider Rondine, a car that reconnects past ambition with modern craftsmanship and finally reveals what its original designer had once imagined without compromise. 

The Fiat 124 Spider Rondine, a car that reconnects past ambition with modern craftsmanship and finally reveals what its original designer had once imagined without compromise. (Picture from: ClassicMotorSports)

The mind behind this car was Tom Tjaarda, the Dutch-American stylist who led Pininfarina’s design studio during a golden era of automotive creativity. Known for shaping icons like the De Tomaso Pantera, Ferrari 330 GT 2+2, and even the Chevrolet Corvette Rondine concept, Tjaarda approached design with a strong sense of proportion and restrained drama. When he worked on the Fiat 124 Spider in the mid-1960s, many of his bolder ideas were softened for production realities. Decades later, near the end of his life, he finally had the chance to revisit those ideas through a deeply personal project, working side by side with Turin-based lawyer and longtime friend Filippo Disanto. 

The Fiat 124 Spider Rondine shows its boldest departure at the front, with retractable eyelids concealing four headlights and a wide chrome grille inspired by Tjaarda’s earlier Corvette Rondine. (Picture from: Carrozzieri-Italiani)

The result was the 124 Spider Rondine, a true one-off built between 2009 and 2013 using a U.S.-market Fiat 124 Spider as its foundation. Although its proportions remain instantly recognizable, nearly every visible surface was reimagined. The front end is the most striking departure, featuring retractable eyelids that conceal four headlights instead of two, paired with a wide chrome grille that echoes the spirit of Tjaarda’s earlier Corvette Rondine. New fenders, bespoke bumpers, and a forward-opening hood complete a face that feels both vintage and refreshingly unapologetic. At the rear, the signature “Rondine” tail treatment returns with inward-tapered forms and custom smoked taillights, a subtle nod to the designer’s lifelong visual language.

The Fiat 124 Spider Rondine replaces the original cabin with a refined interior in light beige leather, accented by dark brown inserts and three flowing stripes that extend across the seats and door panels. (Picture from: ClassicMotorSports)

Inside, the transformation is just as deliberate. The original Fiat cabin gives way to a refined yet expressive interior trimmed in light beige leather, contrasted by dark brown inserts and three distinctive stripes that flow from the footwells across the seats and door panels. Tjaarda’s philosophy of visible mechanics continues here, with no cover hiding the folded convertible top. Disanto personally built the dashboard, creating a layout to house chrome-bezel instruments sourced from a Fiat Dino, while relocating the ignition to the center of the car in the tradition of classic British sports cars. Even practical elements were reconsidered, including a larger stainless-steel fuel tank relocated to the trunk and a centrally placed fuel filler behind the passenger seat. 

The Fiat 124 Spider Rondine carries its signature “Rondine” tail at the rear, defined by inward-tapered forms and custom smoked taillights that reflect Tjaarda’s enduring design language. (Picture from: ClassicMotorSports)

Beyond aesthetics, the Fiat 124 Spider Rondine was designed to be driven, not preserved behind ropes. Its original U.S.-spec engine was reworked with a Weber carburetor and supporting upgrades, significantly improving output and torque without altering the car’s approachable character. Paired with the standard five-speed manual transmission, the driving experience remains engaging and mechanical, enhanced by an ANSA exhaust that gives the four-cylinder engine a deeper, more confident voice. Narrow tires and unassisted steering keep the feedback honest, reinforcing Tjaarda’s belief that enjoyment comes from balance rather than excess. | _cnuyYTRPhg |

What makes this car especially meaningful today is not just its rarity, but its message. The Rondine is a reminder that design ideas can outlive corporate limitations and that passion-driven projects still have a place in a world dominated by digital processes and mass production. Built decades after the original Fiat 124 Spider debuted at the Turin Motor Show, this one-off stands as a living dialogue between eras, shaped by friendship, memory, and unfinished dreams. In motion, with the wind rushing past and the engine echoing off stone walls, the Rondine feels less like a reinterpretation and more like a conversation finally allowed to continue. *** [EKA | FROM VARIOUS SOURCES | CLASSICMOTORSPORTS | CARROZZIERI-ITALIANI ]

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