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Monday, January 5, 2026

LeBlanc Caroline GTR: A Purebred Race Car Disguised by a Beautiful Name

Ferocious Beauty - In the world of exotic performance cars, beauty often takes center stage while engineering brilliance waits quietly in the background. Yet every so often, a machine appears that flips this narrative entirely—one that does not rely on visual charm to make its case, but instead earns admiration through intent and execution. The LeBlanc Caroline GTR belongs firmly in that category, a car whose elegant name disguises a purpose-built racing soul shaped by precision rather than popularity. 
The LeBlanc Caroline GTR, introduced in 1999, was envisioned as a closed-cockpit, Le Mans–inspired race car that remained legal for public roads. (Picture from: RareCarsOnly)
Introduced in 1999, the LeBlanc Caroline GTR was envisioned as a closed-cockpit, Le Mans–inspired race car that could still be legally driven on public roads. It was the debut project of LeBlanc, a small Swiss automaker based in Zürich, and the result of an ambitious collaboration led by engineer Rolf Wyss through his development firm, Wysstec.  
The LeBlanc Caroline GTR (in the far background) was photographed alongside its sibling, the 2005 LeBlanc Mirabeau (in the foreground), in Monaco in 2009. (Picture from: CarsInMyDNA)
Over seven years and more than 10,000 hours of development, the Caroline GTR was shaped by a methodical, no-compromise approach that prioritized engineering clarity over market appeal. Every decision—from material selection to structural layout—was driven by the goal of extracting maximum performance from minimal mass, resulting in a car that felt purpose-built rather than styled to impress.
The LeBlanc Caroline GTR marked the debut project of LeBlanc, a small Zürich-based Swiss automaker, developed through an ambitious collaboration led by engineer Rolf Wyss and his firm, Wysstec. (Picture from: GTPlanet)
Powering this rare machine is a 2.0-liter turbocharged racing engine delivering just over 500 horsepower—an astonishing figure for its displacement, especially at the end of the 1990s. Mated to a five-speed manual transmission, the engine rewards commitment and precision, offering an experience that feels mechanical, raw, and deeply engaging. With such output paired to minimal mass, the Caroline GTR accelerates from 0 to 100 km/h in just 2.7 seconds and pushes on to a top speed of around 348 km/h, placing it firmly among supercars even by modern benchmarks. 
The LeBlanc Caroline GTR refuses to blend in visually, wearing a bright yellow finish and a body that merges smooth, classic supercar lines at the front with a boxy, aggressively functional rear. (Picture from: HotCars)
The secret to these numbers lies in the car’s construction. The Caroline GTR weighs only 785 kilograms, thanks to an advanced carbon-fiber monocoque that delivers exceptional rigidity and safety. The body panels are also carbon fiber, while critical chassis components incorporate titanium and magnesium to reduce weight without sacrificing durability. This obsessive focus on materials and structure reflects a race-first mindset, where every component exists to serve performance and aerodynamic efficiency. 
The LeBlanc Caroline GTR’s cabin reflects its racing DNA while surprising with a level of practicality rarely found in cars of its kind. (Picture from: GTPlanet)
Visually, the Caroline GTR refuses to blend in. Its bright yellow finish ensures instant recognition, while the body design combines smooth, flowing front lines reminiscent of classic supercars with a boxy, aggressive rear section that feels unapologetically functional. Cut-out sections in the doors further enhance airflow and cooling, adding to the car’s distinctive appearance. Though unconventional, every contour is shaped by necessity, reinforcing the idea that form here follows function without compromise. 
The LeBlanc Caroline GTR is powered by a 2.0-liter turbocharged racing engine producing just over 500 horsepower, paired with a five-speed manual transmission. (Picture from: GTPlanet)
Inside, the cabin mirrors the car’s racing DNA while offering unexpected practicality. The environment is focused and purposeful, yet thoughtful touches remind you that this is still a road-legal vehicle. Factory-fitted headphones are included to counteract the extreme exhaust volume, and air conditioning makes an unlikely but welcome appearance. These details underline LeBlanc’s intent to create something usable, not just technically impressive. 
The LeBlanc Caroline GTR exists as a single completed prototype after plans for limited production—once priced at around $530,000 per car—were abandoned when Rolf Wyss moved away from the automotive industry. (Picture from: GTPlanet)
Only one Caroline GTR prototype was ever completed, as plans for limited production—once estimated at around $530,000 per car—were abandoned when Rolf Wyss shifted his career away from the automotive world. Still, the Caroline GTR remains a powerful statement of Swiss engineering ambition. | 541ilXVrGVc |
That spirit would later resurface in another LeBlanc creation, the Mirabeau—a more refined, road-focused supercar that carried forward the brand’s dedication to lightweight construction and exclusivity. Together, the Caroline GTR and the Mirabeau tell a compelling story of what happens when engineering passion outweighs commercial ambition, leaving behind machines that feel timeless precisely because they never tried to please everyone. *** [EKA | FROM VARIOUS SOURCES | SUPERCARS.NET | HOTCARS | GTPLANET | RARECARSONLY ]
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Ford Prototype by Boneschi: A One-Off That Challenged Perception

Perceptual Ambiguity - Automotive history is filled with moments when curiosity pushed designers to ask unconventional questions, and one of the most intriguing came from a car that seemed to challenge perception itself: which side is the front, and which is the back? That question naturally leads to the 1964 Ford Prototype by Boneschi, a one-off creation born in an era when experimentation was not only welcomed but celebrated. Emerging during the dynamic mid-20th century, this prototype reflects a time when carmakers and independent studios worked closely to explore new ideas beyond mass production, blending artistry with engineering in ways that still feel surprisingly modern today. 
The 1964 Ford Prototype by Boneschi presents a smooth, flowing silhouette that resists conventional orientation. and designed by Italian industrial designer Rodolfo Bonetto. (Picture from: Carrozzieri-Italiani)
The visual identity of the Ford Prototype by Boneschi is its most immediate statement. Designed by Italian industrial designer Rodolfo Bonetto and coachbuilt by Boneschi, the car presents a smooth, flowing silhouette that resists conventional orientation. Its proportions are carefully balanced, with streamlined lines that blur the distinction between front and rear, reinforcing the playful ambiguity hinted at in its nickname. Rather than relying on decorative excess, the design focuses on purity of form, echoing the broader design language of the 1960s that favored aerodynamics, simplicity, and visual harmony. Although specific interior details remain less documented, the overall construction suggests a cabin conceived to complement the exterior’s forward-thinking philosophy, prioritizing functional elegance over luxury theatrics
The 1964 Ford Prototype by Boneschi remains grounded in the performance expectations of its era, drawing power from a V8 engine long associated with strength and reliability, particularly within Ford’s engineering identity. (Picture from: Carrozzieri-Italiani)
Beneath its sculptural body, the prototype stays firmly rooted in the performance expectations of its time. Power comes from a V8 engine, a configuration synonymous with strength and reliability in the 1960s, especially for a brand like Ford. The chassis was engineered with notable precision, using advanced construction techniques that balanced structural rigidity with reduced weight. This approach not only enhanced durability but also contributed to improved driving dynamics. An innovative suspension setup further supported ride comfort and handling, making the car theoretically capable of navigating both city streets and longer journeys with confidence, despite its experimental nature. 
The 1964 Ford Prototype by Boneschi features carefully balanced proportions, with streamlined lines that blur the boundary between front and rear, reinforcing the playful ambiguity suggested by its nickname. (Picture from: Carrozzieri-Italiani)
What sets the Ford Prototype by Boneschi apart is its status as a true one-off, created at a time when individuality outweighed mass production. Displayed at automotive shows and preserved in select collections, it gained recognition as a daring design statement. Earlier experiments such as the direction-blurring 1959 Ghia Selene and the 1959 Renault Project 900, alongside the Boneschi prototype, quietly show that innovation often begins by questioning familiar forms rather than refining them. *** [EKA | FROM VARIOUS SOURCES | CARROZZIERI-ITALIANI | ROLLING ART IN FACEBOOK ]
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Sunday, January 4, 2026

Renault Filante Record 2025 Travels 626 Miles Without Recharging

Silent Endurance - Electric cars have come a long way from being city-bound commuters, yet long-distance efficiency remains the real benchmark of progress. Range anxiety still shapes public perception, even as technology quietly advances behind the scenes. This is where the Renault Filante Record 2025 enters the conversation—not as a production model, but as a rolling proof that smart engineering can stretch an EV’s potential far beyond expectations. 
The Renault Filante Record 2025 is a machine designed with one purpose in mind: to achieve ultimate efficiency while breaking records. (Picture from: Carscoops)
The Filante Record 2025 is a purpose-built, single-seat prototype designed with one goal: go as far as possible using as little energy as possible. Its form reflects that mission clearly. The body is long and narrow, sculpted for ultra-low drag, with an extended nose, smooth fenders, and a tapered, aircraft-like tail. A transparent canopy covers the cockpit, where the driver sits in a reclined, Formula 1-style position. Finished in a striking ultraviolet-blue shade, the car looks futuristic, yet its design philosophy is rooted in function rather than spectacle. 
The Renault Filante Record 2025 is a machine designed with one purpose in mind: to achieve ultimate efficiency while breaking records. (Picture from: Carscoops)
Although it appears radical, the Filante Record 2025 relies on surprisingly familiar hardware. At its core is an 87 kWh battery pack—the same capacity found in Renault’s Scenic E-Tech, a midsize family electric crossover. To maximize efficiency, Renault focused on weight reduction and mechanical simplicity. Carbon fiber, aluminum alloys, and 3D-printed Scalmalloy parts were used throughout the structure. Michelin supplied custom low-drag tires, while steering and braking systems were fully drive-by-wire, eliminating unnecessary mechanical losses. 
The Renault Filante Record 2025 is a machine designed with one purpose in mind: to achieve ultimate efficiency while breaking records. (Picture from: Carscoops)
The development process was anything but straightforward. First unveiled in early 2025, the prototype missed its initial record attempt as engineers struggled to meet strict aerodynamic targets. Wind tunnel testing led to major revisions, including the removal of decorative LED lighting, fewer air intakes, and reshaped body panels. Weather delays in France forced the team to relocate, and the final run took place on December 18, 2025 at the UTAC high-speed proving ground in Morocco, where conditions finally aligned.
The Renault Filante Record 2025 is a machine designed with one purpose in mind: to achieve ultimate efficiency while breaking records. (Picture from: Carscoops)
Over nearly ten hours, three drivers rotated through the single seat, completing 239 laps of the 2.6-mile circuit without recharging. The car maintained an average speed of 102 km/h while covering 1,008 kilometers, or 626 miles. Even after finishing the run, the battery still held 11 percent charge—enough, according to Renault, for an additional 75 miles at the same pace. Energy consumption was measured at just 7.8 kWh per 100 km, dramatically lower than the Scenic E-Tech’s official rating despite using the same battery capacity.| HdIJjiELTQs |
Beyond the numbers, the Filante Record 2025 carries deeper meaning for Renault. Its design draws inspiration from historic record cars like the 1925 40 CV and the 1956 L’Étoile Filante, linking a century-old legacy to today’s electric era. More importantly, it serves as a testbed for ideas that could shape future production EVs, especially for long-distance travel. In a time when bigger batteries often dominate headlines, Renault’s experiment quietly suggests a different path—one where efficiency, not excess, defines the next chapter of electric mobility. *** [EKA | FROM VARIOUS SOURCES | CARSCOOPS ]
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The 1963 Gene Winfield Strip Star: A Bold Icon of Custom Automotive Art

Crafted Audacity - There’s something captivating about the way certain machines capture the optimism of their era. Long before digital renderings and wind-tunnel perfect forms became the norm, there were builders who sculpted metal with their hands and imagination alone, turning mechanical objects into rolling expressions of possibility. From that spirit emerged the Strip Star, a car that didn’t simply fit into the early-1960s custom culture but helped push its boundaries outward
The Strip Star custom car was built on a thoroughly reworked 1948 Ford chassis by Gene Winfield, working alongside designer Ernie Graves for Bob Larivee’s Promotions Inc Show Car Division. (Picture from: RollingArt in Fcebook)
When master craftsman Gene Winfield began shaping this extraordinary vehicle in 1963, he wasn’t just assembling parts—he was creating a statement. Working under the Promotions Inc Show Car Division for Bob Larivee, Winfield partnered with designer Ernie Graves to turn an unconventional idea into a fully functional machine. They envisioned something asymmetrical, something that appeared almost to lean into the future, something that challenged the conventions of American automotive design at the time. The result was a hand-formed aluminum body, offset and flowing, perched on a thoroughly reworked 1948 Ford chassis. It was radical for its day, especially when cars were still largely defined by familiar proportions and balanced lines. 
The Strip Star custom car by Gene Winfield was powered by Ford’s then-new 427 V8, an engine delivering 425 horsepower—serious muscle in any era (Picture from: RollingArt in Fcebook)
Powering this outlier was Ford’s then-new 427 V8, an engine boasting 425 horsepower—serious muscle in any era, but even more so in the early ’60s when the horsepower wars were just heating up. Winfield didn’t simply drop the engine in and call it a day; he married it to thoughtful details like a full-length belly pan, lending the car aerodynamic presence and real performance capability. Before it ever dazzled under show lights, the Strip Star stretched its legs at the Bonneville Salt Flats, reaching 127 mph. That figure alone confirmed it wasn’t just a showpiece wearing race clothing—it was a machine built with genuine intent. 
The Strip Star custom car combined its powerful engine with thoughtful elements such as a full-length belly pan, giving it both aerodynamic presence and genuine performance capability. (Picture from: Story-Cars)
The character of the car extended far beyond its powertrain. Winfield filled it with quirks and innovations that reflected his unusual combination of artistry and mechanical ingenuity. The steering wheel, for instance, was crafted from aluminum stock and bent back at a startling 90-degree angle—unorthodox, eye-catching, and admittedly a little daunting. An electronically operated tonneau covered the passenger seat, and a remote control could raise or lower the top, start the engine, and even manipulate the passenger windshield. At a time when remote controls were more commonly associated with cutting-edge televisions than automobiles, these features felt almost science fiction.
The Strip Star custom car featured an electronic passenger tonneau and a remote control for the top, engine start, and passenger windshield—technology so advanced for its time that it felt almost sci-fi. (Picture from: Kustorama)
Visually, the Strip Star delivered the drama expected of a competition show car. Winfield coated the exterior in an almost excessive—but undeniably mesmerizing—40 layers of candy tangerine paint over a pearl base, a finish whose depth and luminosity became one of his trademarks. Goodyear Super Sport tires sat on Terra Thrust wheels, which Winfield himself designed and manufactured. Inside, the theme of handcrafted uniqueness continued with black Naugahyde upholstery, foam-padded fiberglass bucket seats, and matching carpet—simple materials elevated through careful execution. 
The Strip Star custom car by Gene Winfield carried its handcrafted spirit inside with black Naugahyde upholstery, foam-padded fiberglass bucket seats, and matching carpet, all refined through careful execution. (Picture from: RollingArt in Fcebook)
All these details made the Strip Star a fixture not just in car shows but in the broader cultural imagination. Its bold look and futuristic aura caught the attention of filmmakers, earning it a cameo in Back to the Future Part II as a vehicle from the imagined world of 2015. That appearance, brief as it was, helped the car transcend the custom scene and land in the collective memory of movie fans who didn’t even realize they were glimpsing a real piece of 1960s craftsmanship. 
The Strip Star custom car by Gene Winfield played a role in the Hollywood sci-fi film Back to the Future Part II, appearing as a vehicle from the imagined world of 2015. (Picture from: BackToTheFuture.Fandom)
What makes the Strip Star so compelling today is the way it bridges eras: it’s unmistakably a product of the early-’60s custom movement, rooted in hands-on fabrication and boundary-pushing creativity, yet it still feels strangely contemporary. Its asymmetry, its experimental features, its blend of performance and spectacle—all resonate with modern notions of bespoke design. Even decades after its creation, the car remained part of Winfield’s personal collection and continued to appear at shows, a testament to its staying power and the affection it inspired. | tVOgIlWO5Sg |
In an era where technology shapes nearly every aspect of automotive design, the Strip Star remains a striking reminder of what emerges when imagination, hands-on craftsmanship, and a refusal to follow convention come together. It radiates the spirit of its era yet slips beyond its boundaries, encouraging anyone who encounters it to picture the future the way the early ’60s once did—bold, adventurous, and molded by human creativity. If you’re curious to explore more of Winfield’s artistry, the Reactor is another remarkable creation worth a look. *** [EKA | FROM VARIOUS SOURCES | KUSTOMRAMA | STORY-CARS | HEMMINGS | BACKTOTHEFUTURE.FANDOM | THINGIES IN FACEBOOK | ROLLING ART IN FACEBOOK ]
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Saturday, January 3, 2026

The 1971 De Tomaso 1600 Spider by Ghia: Design, Context, and Legacy

Quiet Catalyst - The early 1970s were a restless period for European sports cars, when bold ideas often appeared faster than corporate decisions could keep up. Auto shows were not just stages for finished products, but arenas for provocation and ambition. It was in this charged atmosphere that De Tomaso chose to make a statement, unveiling a compact open-top sports car that looked familiar yet carried a deeper message. That car was the 1971 De Tomaso 1600 Spider by Ghia
The 1971 De Tomaso 1600 Spider by Ghia stands as a reminder that even a single prototype—born from provocation rather than profit—can shape the destiny of an icon and leave a lasting imprint on car culture. (Picture from: CarStyling.ru)
Presented at the Turin Motor Show in 1971, the De Tomaso 1600 Spider arrived as a fully functioning prototype rather than a mere styling exercise. Built by Carrozzeria Ghia, the car featured a mid-engine layout powered by a Ford engine, aligning with De Tomaso’s long-standing relationship with Ford mechanicals. At first glance, its wedge-shaped proportions, removable roof concept, and overall silhouette drew immediate comparisons to the Fiat X1/9, which was still in development under Bertone at the time
The 1971 De Tomaso 1600 Spider by Ghia was presented at the 1971 Turin Motor Show as a fully functioning prototype, not merely a styling exercise. (Picture from: CarStyling.ru)
The design itself was completed at remarkable speed by Tom Tjaarda, one of the era’s most respected designers. Working at the request of Alejandro De Tomaso, Tjaarda shaped the Spider based on design studies that had been circulating between Fiat and Bertone for years. The exterior carried sharp, modern lines typical of early 1970s Italian sports cars, while the interior followed a functional, driver-focused approach, prioritizing simplicity and sportiness over luxury. The result was a convincing, cohesive two-seater that looked ready for the road
The 1971 De Tomaso 1600 Spider by Ghia was designed at remarkable speed by Tom Tjaarda, who, at Alejandro De Tomaso’s request, drew upon design studies that had circulated between Fiat and Bertone for years. (Picture from: Story-Cars)
Despite its visual confidence, the 1600 Spider was never meant to enter production. De Tomaso had no concrete plans to manufacture the car, nor any ambition to turn it into a rival model with significant output. Instead, the prototype served as a strategic demonstration. It showed how a small, agile company like De Tomaso could transform an idea into a complete car in a matter of months, highlighting the slow, hesitation-filled development process that larger manufacturers sometimes faced. 
The 1971 De Tomaso 1600 Spider by Ghia featured a mid-engine layout powered by a Ford engine, reflecting De Tomaso’s long-standing reliance on Ford mechanicals. (Picture from: WorldCarsFromThe1930sTo1980s in Facebook)
This bold move created shockwaves within the Italian automotive scene. Accusations of plagiarism quickly followed, yet the situation was far more nuanced than simple imitation. By publicly revealing the 1600 Spider, De Tomaso unintentionally forced Bertone’s hand. The Fiat X1/9 project, which had been stalled by uncertainty and internal delays, suddenly became urgent. Faced with the risk of losing originality and relevance, Bertone accelerated development and finalized the X1/9 for production. Well, with no known video footage of the De Tomaso 1600 Spider, the following video presents the Fiat X1/9, a contemporaneous Bertone-designed sports car.
Today, the De Tomaso 1600 Spider holds a unique place in automotive history. Though it never reached showrooms, its influence proved surprisingly powerful. It acted as a catalyst, ensuring that the Fiat X1/9 would not fade away into obscurity. In a modern context where concept cars often vanish without impact, the 1600 Spider stands as a reminder that even a single prototype—born out of provocation rather than profit—can shape the destiny of an icon and leave a lasting imprint on car culture. *** [EKA | FROM VARIOUS SOURCES | TOM-TJAARDA.NET | STORY-CARS | CLASSICCARS-FANDOM | CARROZZIERI-ITALIANI | CARSTYLING.RU | ALLCARINDEX | DRIVENTOWRITE | WORLD CARS FROM THE 1930S TO 1980S IN FACEBOOK ]
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Audi GT50: A Wild IMSA-Inspired Concept Honoring 50 Years of Five-Pot Performance

Heritage Unleashed - Motorsport heritage often resurfaces when a brand wants to reconnect its past with the present, and Audi has done exactly that with a striking one-off concept that feels both nostalgic and relevant. Created to honor 50 years of Audi’s iconic five-cylinder engine, the Audi GT50 concept channels the spirit of the brand’s most legendary race cars while grounding itself firmly in today’s performance landscape. 
The Audi GT50 Concept created to honor 50 years of Audi’s iconic five-cylinder engine. (Picture from: Autocar)
The GT50 was developed by Audi apprentices based in Neckarsulm, a group known for producing bold annual concept cars that either pay tribute to historic models or hint at future possibilities. This program has previously delivered creations such as the RS6 GTO concept—which later inspired the limited-production RS6 GTa reworked 236 bhp NSU Prinz, and last year’s A2 E-tron electro-mod that reimagined Audi’s early-2000s supermini with modern design cues and electric power. Each project has been tied to an important Audi anniversary, reinforcing the educational and historical purpose behind the initiative. 
The Audi GT50 Concept features retro design cues, from a vintage-style front grille to oversized turbofan-inspired wheels evoking classic touring cars. (Picture from: Autocar)
For 2026, the apprentices selected a milestone that sits at the heart of Audi’s identity: the five-cylinder engine. The year 1976 marked the debut of the second-generation Audi 100, the first mass-production car to use an inline five-cylinder layout. This configuration has always been rare, and today Audi stands alone as the only manufacturer still producing five-cylinder engines, long after brands such as Volvo, Ford, Land Rover, and Volkswagen discontinued their own versions. 
The Audi GT50 Concept retains the RS3’s 2.5-liter turbocharged engine producing 394 bhp, emphasizing that the project is a celebration of character and heritage rather than a pursuit of new performance figures. (Picture from: Autocar)
In modern Audi’s lineup, the five-cylinder survives exclusively in the RS3, and this all-wheel-drive hot hatch forms the mechanical foundation of the GT50. Although no detailed specifications have been released, the concept retains the RS3’s 2.5-liter turbocharged engine producing 394 bhp, emphasizing that the project is a celebration of character and heritage rather than a pursuit of new performance figures. 
The Audi GT50 Concept showcases a minimalist yet aggressive design, focusing on aerodynamic efficiency and striking presence over ornamentation. (Picture from: Autocar)
Visually, the GT50 represents a dramatic departure from the standard RS3. The apprentices transformed the car into a clear homage to Audi’s most successful American race cars, particularly the 90 Quattro IMSA GTO and the 200 Quattro Trans-Am, which dominated U.S. racing series during the 1980s and 1990s. The influence of these machines is evident in the GT50’s blocky three-box silhouette, aero-focused surfacing, and purposeful stance. 
The Audi GT50 Concept channels the spirit of the brand’s most legendary race cars while grounding itself firmly in today’s performance landscape. (Picture from: Autocar)
Retro design cues define the exterior, from the old-style front grille to the oversized turbofan-inspired wheels that immediately evoke classic touring car imagery. The overall design is minimalist yet aggressive, prioritizing aerodynamic efficiency and visual impact over decorative elements, much like the race cars that inspired it. | qSE5L8HE178 | ZrTxGPFYspg |
Revealed through an official video shared by Audi and published by the German outlet Stimme, the GT50 arrives as Audi prepares to further celebrate the five-cylinder legacy. The brand is expected to introduce a more track-focused special edition of the RS3 next year, potentially based on the Performance Edition and rumored to deliver more power than the Mercedes-AMG A45. In that context, the GT50 concept feels less like a nostalgic exercise and more like a bold reminder that Audi’s five-pot story is not finished yet. *** [EKA | FROM VARIOUS SOURCES | AUTOCAR ]
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