Quiet Radicalism - The history of British sports cars is often told through famous badges and mass-produced legends, but some of its most interesting stories live quietly on the margins. During the 1970s, a time when creativity frequently outpaced financial stability, small manufacturers explored radical ideas with limited resources. One such idea became the Concept Centaur GT, a compact, striking kit car that embodied the experimental spirit of its era while remaining largely unknown outside enthusiast circles.
The 1974 Concept Centaur GT, a compact, striking kit car that embodied the experimental spirit of its era while remaining largely unknown outside enthusiast circles.. (Picture from: Imps4ever.info)
The Concept Centaur GTentered the market between 1974 and 1977, developed by Concept Cars Ltd. in Northampton, with construction beginning a year earlier. It relied on the Hillman Imp platform, a sensible choice for a lightweight sports car project. Production numbers were never high; estimates suggest somewhere between 26 and 52 kits were produced, depending on whether closely related projects are included. This low output was typical of British kit cars at the time, but it also ensured the Centaur would become a rare sight almost immediately.
The 1974 Concept Centaur GT's structure combined glass-reinforced plastic and plywood in a monocoque form, strengthened by box-section profiles and tubular steel.. (Picture from: Imps4ever.info)
What truly set the Centaur GT apart was its extraordinary body design. At just 94 centimeters tall, it ranked among the lowest cars ever built for the road. Its structure combined glass-reinforced plastic and plywood in a monocoque form, strengthened by box-section profiles and tubular steel. This unusual construction delivered rigidity and safety while keeping weight down, demonstrating a level of engineering ambition that exceeded expectations for a small-scale kit car.
The 1974 Concept Centaur GT’s shape did not appear out of thin air. Its styling traced back to an experimental design exercise by the Adams brothers known as the Probe. (Picture from: Imps4ever.info)
The Centaur’s shape did not appear out of thin air. Its styling traced back to an experimental design exercise by the Adams brothers known as the Probe. Rather than letting the concept fade, they passed it on to Peter Timpson of Concept Cars, who recognized its potential. In 1970, Timpson acquired the second Probe 15 bodyshell and reworked it extensively, widening the body and increasing its height to 37 inches to make it more practical without losing its futuristic character.
The
Concept Centaur Mk2 was developed in 1978 as a larger 2+2 version of
the original car, created to expand the concept beyond its initial
two-seat configuration. (Picture from: Imps4ever.info)
Functionality played a larger role than the Centaur’s dramatic looks might suggest. It was designed as a rear-engined, two-seat sports car with an integral roll structure, a large laminated flat windscreen, and cleverly arranged storage. Luggage space sat behind the seats, while a front boot housed the fuel tank. Perspex side windows doubled as doors, hinged at the front for entry and offering wide-angle visibility. A removable rear deck allowed easy access to the engine, reflecting a thoughtful approach to maintenance and usability.
The
Concept Centaur Mk2 featured a sophisticated multi-tubular chassis
designed by Frank Costin, incorporating a de Dion rear suspension layout.(Picture from: Imps4ever.info)
Inside, the Centaur GT was far from spartan. The cabin featured a leather-covered aluminium steering wheel, a full set of instruments and switches, carpeting, and upholstery throughout. The gearstick and handbrake were mounted between the seats, and essential systems such as wiring, hydraulics, wipers, washers, lighting, heating, and ventilation were all included. Buyers could specify any manufacturer’s paint color, while major mechanical components like the engine, transaxle, suspension, wheels, and tyres were sourced separately, consistent with kit-car traditions of the time.
The Concept Centaur Mk2 featured a mid-mounted Leyland Maxi 2.2-liter engine as a key element of its redesigned performance layout. (Picture from: Imps4ever.info)
The Centaurstory briefly extended beyond the original GT. In 1978, a larger 2+2 version known asthe Centaur Mk2 was developed, featuring a mid-mounted Leyland Maxi 2.2-liter engine and a sophisticated multi-tubular chassis designed by Frank Costin with de Dion rear suspension. Although its fiberglass body clearly echoed the original Centaur, the project eventually evolved into the Mirage Pulsar, while only one larger Centaur-related car, the Timera, was completed. Seen today, the Concept Centaur GT stands as a reminder of a fearless moment in British automotive history, when innovation thrived not in factories of scale, but in small workshops driven by imagination and resolve. *** [EKA | FROM VARIOUS SOURCES | CLASSICCARS.FANDOM | SLATFORD.CO.UK | IMPS4EVER.INFO | KFZ-BETRIEB.VOGEL | WIKIPEDIA | CARSEX MAGAZINE IN TUMBLR ]
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Featherweight Defiance - There is something endlessly fascinating about the way true driving pleasure often hides in unexpected places. While the world obsesses over multi-million-dollar icons and auction headlines dominated by cars like the legendary Ferrari 250 GTO, the real magic of motoring can just as easily be found in far humbler machines. One such example is the Davrian Mk5—a lightweight British special that proves exhilaration has very little to do with price tags and everything to do with purity.
The Davrian Mk5—a lightweight British special that proves exhilaration has very little to do with price tags and everything to do with purity. (Picture from: ClassicDriver)
The story begins in 1965 with structural engineer Adrian Evans, who, together with David Clarke, would go on to establish Davrian Developments Ltd.The name “Davrian” itself was formed by combining “Dav” from David and “rian” from Adrian, reflecting the personal and collaborative nature of the project in its earliest days. After crashing his Hillman Imp, Evans decided not simply to repair it, but to reinvent it. What emerged was the first Davrian prototype, initially built using the Imp’s floorpan and mechanical components. As development progressed and production formally began in 1967, the concept evolved into something far more sophisticated: a fiberglass monocoque shell, strengthened with foam where required, remarkably advanced for a low-volume British manufacturer of the era. In an age when lightweight construction was still relatively novel outside specialist circles, the Davrian was already exploring the structural advantages of composite design.
The Davrian Mk5 evolved into something far more sophisticated: a fiberglass monocoque shell, strengthened with foam where required, remarkably advanced for a low-volume British manufacturer of the era. (Picture from: Lot-Art)
At its core, the Davrian Mk5remained loyal to the Coventry Climax–derived Imp engine, available in 875cc or 998cc form, paired with the Imp’s transaxle and suspension components. This combination gave the car its distinctive character: compact, rear-engined, and razor-sharp in response. The 998cc version in particular delivered performance that belied its modest displacement, capable of matching larger-engined contemporaries such as the Lotus Europa. The formula was simple but devastatingly effective—minimal weight, direct steering, and mechanical honesty without unnecessary frills. It was engineering clarity distilled into a road-legal machine.
The Davrian Mk5 remained loyal to the Coventry Climax–derived Imp engine, available in 875cc or 998cc form, paired with the Imp’s transaxle and suspension components. (Picture from: MikadoRacing)
The Mk5 generationreflected the Davrian’s steady evolution through eight updates between 1967 and 1983, culminating in the Mk8 before production ultimately ceased when the company entered receivership. Early cars were sold in kit form, priced at £275 in 1967, allowing owners to complete their own builds. However, after the introduction of VAT in the UK in 1973, complete factory-built cars were also offered. Motorsport was always central to Evans’ vision, and the Davrian quickly earned a reputation on circuits and rally stages alike. Depending on intended use, shells could be specified lighter for track work or reinforced for rallying, demonstrating how competition remained woven into the car’s DNA.
The Davrian Mk5 carries a character all its own; its rear, with compact proportions and functional detailing, reveals the car’s hand-built origins. (Picture from: ViaRetro)
Visually, the Davrian Mk5 carries a character all its own. The version fitted with the later Mk6-style nose cone and pop-up headlights is often considered the most cohesive interpretation. The front end appears purposeful and neatly resolved, while the rear—with its compact proportions and functional detailing—reveals the car’s hand-built origins. Inside, the cabin is unapologetically spartan. There are no indulgent luxuries, only what is necessary to drive quickly and with precision. Every surface and control exists to serve performance, reinforcing the car’s uncompromising ethos. | VuANV1vW_Uk |
Today, in a world saturated with digital driver aids and increasingly heavy performance cars, the Davrian Mk5 feels strikingly relevant. Its fiberglass monocoque construction was forward-thinking, its motorsport credentials genuine, and its engineering refreshingly transparent. It may not command the auction-room drama of a Ferrari, but the Davrian embodies a deeper kind of value—the kind measured in steering feedback, mechanical connection, and the involuntary grin that appears after every spirited drive. Sometimes, the smallest and least celebrated machines leave the most lasting impressions. *** [EKA | FROM VARIOUS SOURCES | VIARETRO | CLASSIC-KITCARS | CLASSICDRIVER | LOT-ART | VIARETRO | MIKADORACING | WIKIPEDIA ]
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Electrochemical Reverie - The late 1950s were an era when the American auto industry dared to imagine tomorrow with fearless optimism. Tailfins soared, dashboards looked like aircraft cockpits, and engineers chased bold new propulsion ideas. In the middle of that restless creativity—just as one historic brand was nearing its end—an extraordinary vision emerged: the Fuel Cell Dreams embodied inthe 1959 DeSoto Cella I.
The DeSoto Cella I Concept, presented only as a 3/8-scale model, explored the possibility of hydrogen-oxygen fuel cell propulsion rather than refining conventional combustion performance in the late 1950s. (Picture from: MacsMotorCityGarage)
By early 1959, executives within Chrysler were already discussing the possibility of discontinuing DeSoto, a decision that would become final on November 30, 1960. Yet even under that shadow, chief engineer A.E. “Kim” Kimberly pushed forward with a concept that looked far beyond the conventional V8 formula. Rather than refining combustion performance, Kimberly—remembered as the driving force behindthe legendary DeSoto Adventurer I and Adventurer II—turned his attention to hydrogen-oxygen fuel cell propulsion, naming the
project Cella I to reflect its radical energy source. It was a bold
pivot at a time when alternative propulsion remained far more
theoretical than practical.
The 1959 DeSoto Cella I Concept 3/8 scaled model was photographed alongside DeSoto’s chief engineer A.E. “Kim” Kimberly, highlighting his central role in bringing the futuristic fuel cell vision to life. (Picture from: MacsMotorCityGarage)
Fuel-cell science itself traced back to 1842, when William Grove demonstrated the basic principle. A century later, British engineer Francis Thomas Bacon advanced the technology significantly, and by 1958 Pratt & Whitney had licensed his work to develop systems that would later serve NASA missions. Against this scientific backdrop, the Cella I’spower unit was described cautiously in period materials as an “electrochemical principle.”Beneath its proposed hood, a hydrogen-oxygen fuel cell would generate electricity for four independent wheel-mounted motors, delivering four-wheel drive without a traditional transmission or differential. Even regenerative braking was envisioned—an astonishing detail for 1959.
The 1959 DeSoto Cella I Concept appears as a smooth 3/8-scale model with sculpted fenders, jet-inspired rear detailing, and an ultra-low profile that reinforces its advanced hydrogen-powered vision. (Picture from: MacsMotorCityGarage)
Despite its technical ambition, the Cella Inever advanced beyond renderings and a detailed 3/8-scale model. No functioning prototype was recorded. Still, the concept’s layout was remarkably forward-thinking. Each wheel would be powered individually through stub axles and universal joints, eliminating mechanical complexity. The idea suggested not just a new engine, but an entirely new philosophy of drivetrain architecture—one that modern electric vehicles now embrace.
The 1959 DeSoto Cella I Concept reveals a futuristic lounge-style interior with swivel seating, a yoke-inspired control, and a panoramic canopy that emphasizes its experimental, forward-thinking character. (Picture from: MacsMotorCityGarage)
The cabin design amplified the sense of futurism. Swivel bucket seats and a yoke-style steering control replaced traditional norms, while a periscopic rear-view system eliminated the need for a rear window. For safety reasons, rear passengers were positioned facing backward, transforming the space into a lounge-like environment. A small refrigerator, powered by the fuel cell, kept beverages chilled, and a swing-out television with stereo audio offered in-motion entertainment.
The 1959 DeSoto Cella I Concept is illustrated with dramatic tailfins, a sweeping canopy roofline, and turbine-like wheels, capturing the bold space-age optimism that defined late-1950s American design. (Picture from: Madle.org and CCDisccusion)
When the Cella I appeared at the Chicago Auto Show on January 22, 1960, it was introduced as an idea car that might be realized “within a generation.”DeSoto would not survive to see that generation unfold, but the prophecy carried weight. Today, hydrogen-powered vehicles such asthe Toyota Miraioperate in limited production, proving that the dream was not misplaced—only premature. The 1959 DeSoto Cella I remains a striking reminder that even in its final chapter, a fading marque dared to imagine a cleaner, electrified future long before the world was ready to build it. *** [EKA | FROM VARIOUS SOURCES | MACSMOTORCITYGARAGE | MADLE.ORG | CCDISCUSSION | KEVIN KUCZYNSKI IN FACEBOOK ]
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Handbuilt Legacy - In the modern automotive world, where retro design is often recycled and rebranded, genuinely rare creations still manage to slip quietly under the radar. Some cars are not born from factories or market demands, but from long-held ideas that refuse to fade. The Excalibur RS belongs to that quieter, more personal category—a machine that bridges imagination, patience, and craftsmanship, and only reveals its story once you slow down enough to notice its details.
The Excalibur RS immediately feels cinematic, with its elongated nose projecting forward with intent and twin short rear fins shaping a dramatic, almost batmobile-like silhouette. (Picture from: WordlessTech)
At first glance, the Excalibur RS feels almost cinematic. Its elongated front nose stretches forward with purpose, while the rear is punctuated by twin short fins that give it a dramatic, almost batmobile-like silhouette. The proportions are unconventional yet deliberate, reinforcing its identity as a racing-inspired prototype rather than a conventional road car. Influences from classic endurance racers are evident, particularly in the Ford GT40-inspired front end, but the overall shape remains unmistakably its own, blending fantasy with mechanical intent.
The Excalibur RS carries unconventional yet purposeful proportions that reinforce its identity as a racing-inspired prototype rather than a typical road car. (Picture from: WordlessTech)
This car traces its origins to designer Brooks Stevens, a name deeply woven into American automotive creativity. The Excalibur RSwas commissioned by Bob Shaw, with contributions from Dave Draper, and conceived as a modern evolution ofStevens’ earlier Excalibur sports roadster concept from 1959. Whilethe original RSnever progressed beyond scale models, the Excalibur sports roadsterbecame the physical realization of that vision decades later. Shaw’s commitment to the project was extraordinary, stretching across ten years and involving an investment that far exceeded practicality, driven purely by belief in the idea.
The Excalibur RS rests on a steel tube space frame chassis built by Chuck Rahn beneath its sculpted aluminum body, which was hand-formed over more than three years to achieve both structural rigidity and lightweight precision. (Picture from: WordlessTech)
Beneath the sculpted aluminum body lies a steel tube space frame chassis built by Chuck Rahn, providing both rigidity and a lightweight foundation. The bodywork itself was hand-formed from aluminum, a process that took more than three years to complete. Every curve reflects hours of shaping rather than mass production, reinforcing the car’s status as a true one-off prototype. This slow, deliberate construction process stands in sharp contrast to today’s rapid development cycles, making the Excalibur RS feel almost rebellious in its refusal to be rushed.
The Excalibur RS features a cabin that blends refined craftsmanship with subtle theatrical flair, highlighted by leather-trimmed fiberglass moldings and engine-turned aluminum panels reminiscent of classic race car interiors. (Picture from: WordlessTech)
Inside, the cabin balances craftsmanship with a touch of theatrical flair. Fiberglass moldings are trimmed in leather, complemented by engine-turned aluminum panels that echo classic race car interiors. A removable steering wheel adds to its motorsport character, while modern conveniences quietly blend in. The scissor doors—reminiscent of the Lamborghini Murciélago—along with the hood and deck lid, are all power-operated at the push of a button. Even the polycarbonate windshield reinforces the car’s racing roots while keeping weight in check.
The Excalibur RS features power-operated scissor doors inspired by the Lamborghini Murciélago, along with a button-controlled hood and deck lid, while its polycarbonate windshield underscores its lightweight racing character. (Picture from: WordlessTech)
Power comes from a 5.7-liter General Motors V8 crate engine, equipped with Edelbrock throttle-body fuel injection, tubular headers, and bespoke valve covers produced by Shaw’s own craftsmen. The engine is paired with a GM 700R4 automatic transmission, forming a drivetrain that prioritizes usable torque and mechanical dependability rather than chasing attention through raw performance figures alone. | qQA_2Itkp4c |
Finished in Mercedes-Benz Mystic Blue Metallic and Pearl White, punctuated by confident Brilliant Red accents, the Excalibur RSstands as a physical expression of long-term commitment rather than commercial ambition. It represents a rare meeting point between an earlier design philosophy and modern craftsmanship, shaped over years by persistence, belief, and restraint—an automotive idea allowed to mature fully before finally taking form. *** [EKA | FROM VARIOUS SOURCES | WORDLESSTECH ]
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Motorsport Nerve - Progress in motorsport has always been driven by moments when engineers and designers choose courage over convention. During the mid-1960s, as competition intensified across Europe, Ferrari answered the challenge with a compact yet fiercely capable machine: the Ferrari Dino 206 SP. Created at a time when racing innovation directly shaped brand identity, this open-top sports prototype embodied Ferrari’s determination to refine lightweight engineering, aerodynamic efficiency, and V6 performance into a single, highly focused package.
The Ferrari Dino 206 SP emerged as an open-top evolution of the Dino 166 P, equipped with a larger engine and specifically engineered to dominate hillclimb events in the European Mountain Championship. (Picture from: SBRaceEngineering)
Conceptually, the 206 SP can be seen as an open-top evolution of the Dino 166 P, enhanced with a larger engine and purpose-built for hillclimb dominance in the European Mountain Championship. Its balance of strong power output and remarkably low weight proved decisive, enabling Ludovico Scarfiotti to secure four victories and ultimately the championship title. Rather than being a mass-produced racer, the 206 SP was a specialized weapon—engineered with singular intent. Its immediate success laid the groundwork for the Dino 206 S introduced a year later, which directly evolved from the SP’s architecture and philosophy.
The Ferrari Dino 206 SP embodied Ferrari’s racing-first mindset through its tubular steel frame reinforced with alloy panels, forming a semi-monocoque chassis that delivered impressive rigidity without excessive weight. (Picture from: RMW.lv)
The car’s structure reflected Ferrari’s racing-first mindset. Built around a tubular steel frame reinforced with alloy panels, the chassis formed a semi-monocoque layout that delivered rigidity without excessive mass. Independent suspension with unequal-length wishbones, ventilated disc brakes, rack-and-pinion steering, and a five-speed transmission ensured sharp responsiveness. The mid-mounted engine layout—still considered daring for production cars at the time—was already well established in sports car racing. By concentrating weight over the driven rear wheels, the 206 SP achieved excellent traction and a streamlined nose profile, though at the expense of cabin space and forgiving road manners. In competition, those trade-offs were advantages rather than compromises.
The Ferrari Dino 206 SP featured a stripped-back cockpit defined by functional instrumentation, lightweight materials, and a driver-focused layout that reflected pure racing intent with no unnecessary excess. (Picture from: RMW.lv)
Visually, the 206 SP owed much of its character to Piero Drogo and his Modena-based firm, Carrozzeria Sports Cars. Drogo shaped the bodywork with an instinctive understanding of aerodynamics and racing proportion. The result was a tightly wrapped, sensuous form reminiscent ofthe larger 330 P3but scaled precisely around the compact V6 engine. Its low stance, flowing curves, and minimal windscreen emphasized speed even at rest. Inside, the cockpit was stripped to essentials—functional instrumentation, lightweight materials, and a driver-focused layout underscored its purpose. There was no excess, only intention.
The Ferrari Dino 206 SP powered by a dry-sump, 65° V6 2.0-litre (121.2 cu in) tipo 227L engine with two valves per cylinder and twin overhead camshafts per bank. (Picture from: RMW.lv)
The 206 SPalso played a role in Ferrari’s broader strategic ambitions. In 1967, Ferrari sought entry into the new 1.6-liter Formula 2 category using the Dino V6. FIA regulations required at least 500 production cars equipped with the same engine—an obstacle Ferrari could not overcome alone. Enzo Ferrari turned to Fiat, resulting inthe front-engined Fiat Dinopowered by a 2.0-liter version of the V6.
The Ferrari Dino 206 SP showcased bodywork crafted by Piero Drogo and his Modena-based Carrozzeria Sports Cars, reflecting his instinctive grasp of aerodynamics and racing proportions. (Picture from: RMW.lv)
This collaboration satisfied homologation rules and foreshadowed deeper corporate ties that would eventually reshape the company. The V6 itself, designed by Franco Rocchi and returning to Vittorio Jano’s original 65-degree configuration, would later powerFerrari Dino road carsand eventhe Lancia Stratos, extending the engine’s legacy well beyond the racetrack. Originally, Ferrari intended to build 50 examples to qualify the car for FIA Group 4 competition. Financial realities intervened, and only around 18 units were completed, prompting the shift in designation from206 S to 206 SP—Sports Prototipo. | Zr-nVinhY18 | DVGDvfgXGDg |
Today, that rarity significantly enhances its historical weight. With values typically ranging from $2.5 million to $4 million depending on provenance and originality, the Dino 206 SP stands as one of the most exclusive Ferraris of its era. More than just a rare collector’s piece, it remains a vivid reminder of a period when bold engineering decisions, visionary coachbuilding, and racing ambition converged to shape Ferrari’s evolving identity. *** [EKA | FROM VARIOUS SOURCES | FERRARI | RMW.LV | SBRACEENGINEERING ]
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Purpose-Built Fantasy - Automotive history is full of bold ideas that appeared briefly, burned brightly, and then quietly disappeared, leaving behind more questions than answers. The Chevrolet XT-2 belongs firmly in that category. Created during a period when manufacturers were rethinking what a pickup truck could be, the XT-2 was not designed to haul lumber or dominate sales charts. It was built to challenge expectations, blending racing technology, experimental design, and a forward-looking vision into a concept truck that existed more as a statement than a product.
The Chevrolet XT-2 Concept was built to challenge expectations, blending racing technology, experimental design, and a forward-looking vision into a concept truck that existed more as a statement than a product. (Picture from: PPGPaceCars)
At first glance, the XT-2 looked like something between a sports car and a science-fiction prototype. Its low, wide stance echoed the proportions of GM’s performance cars, while its smooth fiberglass body eliminated traditional truck cues almost entirely. One of its most striking elements was the massive, sharply sloped windshield that doubled as the hood. This single piece of glass—developed by PPG—was the largest windshield ever produced at the time and lifted upward on gas struts, revealing access to the engine bay as the top of the dashboard rose with it. Around back, the bed floor could be removed to reach the rear drivetrain, reinforcing the idea that this truck was engineered with purpose, not convention, in mind.
The Chevrolet XT-2 Concept combined sports car proportions with a futuristic edge, its low, wide stance and smooth fiberglass body abandoning nearly all traditional truck cues. (Picture from: Carstyling.ru)
Underneath the futuristic skin, Chevrolet engineeredthe XT-2from the ground up. It sat on a tube-frame chassis with integrated roll bars, a necessity for the role it was built to play as a pace vehicle for the CART PPG Indy Car World Series. The layout was front-engine and rear-wheel drive, using a Corvette-derived suspension and an architecture similar tothe F-body Camaro. Power came from a 4.5-liter, 90-degree V6 traced to Trans-Am racing programs, assembled with Chevrolet’s high-performance Bow Tie components. In race trim, the engine delivered around 360 horsepower and 315 lb-ft of torque, enabling quarter-mile runs in roughly 13 seconds and a 0–60 mph time of about six seconds—numbers that placed it far beyond any production pickup of its era.
The Chevrolet XT-2 Concept was engineered from the ground up on a tube-frame chassis with integrated roll bars, purpose-built to serve as a pace vehicle for the CART PPG Indy Car World Series. (Picture from: DetroitHistorical.org)
The interior was just as unconventional as the exterior. Chevrolet insulated the cabin from engine heat using aerospace-derived materials, while the design itself leaned heavily into an organic, almost biomechanical aesthetic. Contemporary descriptions compared the cockpit to something alive, with sculpted surfaces flowing into one another. Seating was advanced for its time, featuring electrically powered pneumatic adjustments, lumbar support, and even calf support, along with air conditioning—luxuries rarely associated with trucks in the late 1980s. Safety and race readiness were equally prioritized, with five-point harnesses, racing seats, fire extinguishers, dual batteries, dual fuel tanks, and flashing lights integrated seamlessly into the design.
The Chevrolet XT-2 Concept used a Trans-Am–derived 4.5-liter V6 with 360 horsepower, sprinting from 0–60 mph in about six seconds and covering the quarter mile in roughly 13 seconds. (Picture from: Carstyling.ru)
The XT-2 did not emerge fully formed. Before reaching its final configuration, Chevrolet explored two very different versions. One early concept placed the engine beneath the bed in a radical layout, while another leaned toward a front-wheel-drive or all-wheel-drive passenger-car platform with a smaller V6, an idea that closely resembled the crossovers that would become common more than a decade later. Ultimately, Chevrolet settled on the performance-focused rear-wheel-drive version, citing growing consumer interest in small, sporty trucks as the natural direction for the concept’s evolution.
The Chevrolet XT-2 Concept featured a removable bed floor that allowed access to the rear drivetrain, underscoring its engineering-first philosophy over traditional truck conventions. (Picture from: PPGPaceCars)
Seen from today’s perspective, the XT-2 feels both prophetic and out of place. In 1989, GM also revealed the Pontiac Stinger, another futuristic concept aimed at redefining light trucks, suggesting that designers clearly sensed a shift toward more personal, car-like utility vehicles after the fuel crises of the previous decade. Yet the market wasn’t ready to follow that vision just yet. The XT-2never reached production, but its brief life captured a moment when Chevrolet dared to imagine pickups as performance machines first and utility tools second—a mindset that would resurface years later as high-performance trucks finally found their audience. *** [EKA | FROM VARIOUS SOURCES | PPGPACECARS | DETROITHISTORICAL.ORG | CARSTYLING.RU | JALOPNIK ]
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The Centaur story briefly extended beyond the original GT. In 1978, a larger 2+2 version known as the Centaur Mk2 was developed, featuring a mid-mounted Leyland Maxi 2.2-liter engine and a sophisticated multi-tubular chassis designed by Frank Costin with de Dion rear suspension. Although its fiberglass body clearly echoed the original Centaur, the project eventually evolved into the Mirage Pulsar, while only one larger Centaur-related car, the Timera, was completed. Seen today, the Concept Centaur GT stands as a reminder of a fearless moment in British automotive history, when innovation thrived not in factories of scale, but in small workshops driven by imagination and resolve. *** [EKA | FROM VARIOUS SOURCES | CLASSICCARS.FANDOM | SLATFORD.CO.UK | IMPS4EVER.INFO | KFZ-BETRIEB.VOGEL | WIKIPEDIA | CARSEX MAGAZINE IN TUMBLR ]
