Heritage Finesse - In an era when automobiles increasingly blur into one another, there’s something refreshing about looking back to a time when a car could express personality with a single sweep of metal or a confidently sculpted grille. Mid-century Italy was buzzing with this kind of energy—designers chasing beauty, engineers seeking practicality, and coachbuilders experimenting boldly between the two. Within that creative whirlwind emerged a small but unforgettable character: the 1953 Fiat 1100E Coupé by Vignale, a machine that distilled the optimism and originality of post-war Italian craftsmanship into a compact, elegant form.
The 1953 Fiat 1100E Coupé Vignale, a machine that distilled the optimism and originality of post-war Italian craftsmanship into a compact, elegant form. (Picture from: Oldtimers-Onze-Passie! in Facebook)
Although it drew its mechanical foundation from Fiat’s unassuming 1100/103 platform, the coupé that Carrozzeria Vignale unveiled at the 1953 Turin Auto Show hardly felt tethered to modest origins. It was transformed by vision—specifically that of Giovanni Michelotti, a designer whose instincts for proportion and visual drama helped reshape Italian automotive identity throughout the 1950s. His work on this Fiat was an early yet confident display of the language he would later refine on more exotic canvases, including his celebrated Vignale-bodied Ferrari 212 Inter. The continuity is unmistakable: that blend of grace and boldness, the interplay of curves and tension, the refusal to let restraint diminish personality.
The 1953 Fiat 1100E Coupé Vignale presents a poised sense of theatricality from the front, where a tall vertical grille becomes the visual anchor that instantly defines its presence. (Picture from: Carrozzieri-Italiani)
Seen from the front, the 1100E Coupé carries itself with a kind of poised theatricality. A tall vertical grille stands like a centerpiece in a well-curated room, giving the car an instant sense of presence. On either side, the deeply set headlamps rest within sculpted recesses, creating pockets of shadow that emphasize the car’s layered surfaces. The design doesn’t merely decorate; it guides the eye, encouraging the viewer to trace lines and contours almost the way one would follow brushstrokes across a painting.
The 1953 Fiat 1100E Coupé Vignale places its deeply set headlamps within sculpted recesses, allowing shadow and form to work together in highlighting the body’s layered surfaces. (Picture from: Carrozzieri-Italiani)
The excitement continues as the form sweeps rearward. Michelotti shaped the roofline with a gentle taper, allowing it to flow into a rounded tail that feels both deliberate and effortless. Subtle fins rise just enough to suggest motion without tipping into extravagance, while the neatly integrated taillights and finely executed chrome bumpers offer precise finishing touches. What ties everything together is the smooth, uninterrupted beltline that circles the body like a continuous thought—clean, confident, and impeccably balanced. Light dances across the panels in a way that makes the coupé seem lively even when parked, as though the metal itself was meant to move.
The 1953 Fiat 1100E Coupé Vignale carries an interior atmosphere that complements its exterior character, reflecting Vignale’s preference for craftsmanship and intimacy over mass-produced uniformity. (Picture from: Carrozzieri-Italiani)
Inside, the atmosphere would have complemented the exterior’s character, as Vignale’s custom builds typically emphasized craftsmanship and intimacy over mass-production uniformity. While details from surviving examples vary, buyers of such coachbuilt cars generally expected thoughtful materials, carefully arranged switchgear, and a cabin that felt tailored rather than assembled on a fast-moving line. It was the kind of personalization that distinguished bespoke Italian coachwork of the era, even when built on everyday underpinnings.
The 1953 Fiat 1100E Coupé Vignale carries its visual momentum rearward through a gently tapered roofline that flows into a rounded tail, where subtle fins, integrated taillights, and finely finished chrome bumpers add motion and refinement without excess. (Picture from: Carrozzieri-Italiani)
Exclusivity naturally followed. With only a handful crafted, eachFiat 1100E Coupé Vignalebecame more than a stylish experiment—it became a rarity, a small chapter in the broader story of Italian design’s golden age. One example found its way into the hands of Dr. Aldo Luino, Vignale’s workshop doctor and the proud owner ofthe dramatic Fiat 8V “Demon Rouge.” His interest alone hints at the coupé’s appeal among those who understood the coachbuilder’s artistry from the inside. | LTtpdXGO6rw |
Today, the 1953 Fiat 1100E Coupé Vignalefeels especially compelling because it embodies a type of creativity that’s harder to find in modern automotive manufacturing. It represents a moment when even the most modest mechanical base could inspire a stunning form, when vision mattered as much as horsepower, and when small-production vehicles could express ideas that shapes the larger automotive world. This little coupé remains a vivid reminder that innovation isn't always loud—it can also be quiet, graceful, and beautifully human. *** [EKA | FROM VARIOUS SOURCES | CARROZZIERI-ITALIANI | OLDTIMERS-ONZE-PASSIE! IN FACEBOOK ]
Note: This blog can be accessed via your smart phone.
Aesthetic Fury - Every era has its icons—objects so finely shaped by human imagination that they outlive the moment that created them. In the world of performance cars, the early 1960s were a golden age of bold experimentation, fierce rivalry, and elegant engineering. Against this backdrop, a collaboration between a British marque known for its refined power and an Italian coachbuilder celebrated for sculptural lightness produced something extraordinary: the Aston Martin DB4 GT Zagato. Its name carries the cadence of two nations, yet its identity is entirely its own, a fusion of speed, artistry, and youthful audacity.
The Aston Martin DB4 GT Zagato with chassis 0200/R—first shown at Earls Court in 1960 and raced by Mike Salmon in the 1962 24 Hours of Le Mans—is pictured here at the 2011 Silverstone Classic. (Picture from: Wikipedia)
Lario Mythic - There’s a certain magic that happens when automotive history intersects with human imagination. Every era has its icons—machines shaped not only by engineering needs, but by the dreams of the people who crafted them. And in that space between innovation and artistry sits the 1958 Alfa Romeo 1900 Speciale, a car that didn’t simply roll out of a factory but emerged through decades of passion, reinvention, and an unwavering devotion to performance design. It's the kind of vehicle that reminds us why vintage cars continue to hold such gravitational pull in today’s world of digital dashboards and algorithm-driven efficiency.
The 1958 Alfa Romeo 1900 Speciale by ATL, a car that didn’t simply roll out of a factory but emerged through decades of passion, reinvention, and an unwavering devotion to performance design.. (Picture from: LoveAlfa in X)
Long before this Speciale took shape, Alfa Romeo had already laid the groundwork for an automotive renaissance. When the 1900 series made its debut at the 1950 Paris Salon, it signaled a new chapter for the marque—one defined by modern engineering, sleeker forms, and a mindset turned toward motorsport. Although the model was best known as a four-door saloon, the real electricity happened when the chassis was handed over to Italy’s great coachbuilders. Touring, Zagato, Farina, Boano, and Ghia transformed the 1900 into lightweight berlinettas, aerodynamic racers, or rolling sculptures fit for the era’s most glamorous auto salons. Their work elevated the 1900 far beyond its intended purpose, giving it a legacy that smaller ateliers would later draw from.
The 1958 Alfa Romeo 1900 Speciale by ATL envisioned a 1900 with genuine competition ability, but with the grace and elegance required to stand proudly at concours events. (Picture from: RMSothebys)
That legacy is written into the very bones of the Speciale. Chassis number 001, the earliest of roughly eight examples known to have been produced, was created not in the 1950s but in the late 1960s and early 1970s by Autotecnica del Lario, or ATL. At that time, ATL was a young coachbuilding firm founded by Ercole Zuccoli in northern Lombardy, building one-off machines for clients who didn’t just want something rare—they wanted something personal. One such client envisioned a 1900 with genuine competition ability, but with the grace and elegance required to stand proudly at concours events. ATL took that request and turned it into something remarkable.
The 1958 Alfa Romeo 1900 Speciale by ATL is defined by classic sporting proportions, featuring a long front deck, pronounced rear haunches, and a flowing roofline that resolves into a purposeful fastback. (Picture from: RMSothebys)
They began with a period tubular chassis and installed genuine Alfa 1900 running gear. The heart of the car came from a 1900 Super: a 1,975-cc engine built with dual distributors, twin-plug ignition, and dual Weber carburetors breathing through velocity stacks. Because the engine’s serial number places its completion at the end of the 1957 production cycle, the finished ATL creation carries a 1958 model-year identity. It’s a fascinating blend of eras—pure 1950s mechanical spirit wrapped in a body shaped years later, yet fully faithful to the design language of Alfa’s golden age.
The 1958 Alfa Romeo 1900 Speciale by ATL received thoughtful enhancements such as a fresh dashboard, a rebuilt steering box, and two classic bucket seats. (Picture from: RMSothebys)
ATL’s handiwork is nothing short of enchanting. They sculpted the car in lightweight aluminum, taking cues from the mid-century sports berlinettas that remain legendary today: the fastback drama of the Zagato-bodied Aston Martin DB4 GT, the purposeful curves of Pininfarina’s Maserati A6 GCS. The 1900 Speciale wears similar hallmarks—a long front deck, muscular rear haunches, and a sweeping roofline that falls into an athletic fastback. Details complete the storytelling: louvered hood and fenders for cooling and flair, Borrani wire wheels for elegance with intent, and an external fuel filler that subtly hints at its motorsport aspirations. It looks like something built to chase trophies in the 1950s, even though its construction came a decade or more later.
The 1958 Alfa Romeo 1900 Speciale by ATL powered by a 1,975-cc engine built with dual distributors, twin-plug ignition, and dual Weber carburetors breathing through velocity stacks. (Picture from: RMSothebys)
Once completed in the 1970s, the car lived quietly in the care of its first owner, accumulating little mileage but preserving its originality. Its second life began in 2006, when collector Tom Kazamek discovered it in Italy and brought it to Manhattan Beach, California. Recognizing its rarity, he entrusted the car to Steve Tillack—one of the region’s most respected specialists—to carry out an extensive mechanical freshening. Over nearly a decade, the 1900 Specialereceived rebuilt gearbox components, a renewed clutch and braking system, refurbished shocks and carburetors, and a new fuel pump. The work preserved the car’s authentic character while restoring its ability to perform as intended.
The 1958 Alfa Romeo 1900 Speciale by ATL is further distinguished by finely judged details, including louvered hood and fenders, Borrani wire wheels, and an external fuel filler that quietly signals its competition-bred intent. (Picture from: LoveAlfa in X)
The results soon earned admiration. In 2014, the Specialewon an award for Best Original/Preserved Car at the Manhattan Beach Concours d’Elegance. Its presence was strong enough to secure invitations to some of the world’s most refined automotive gatherings, including The Quail in 2016 and the Palos Verdes Concours the following year. Each appearance confirmed what enthusiasts already suspected: the car wasn’t merely rare—it was uniquely captivating.
The 1958 Alfa Romeo 1900 Speciale by ATL stands as more than a collector’s prize, reflecting the evolution of a single idea across decades that inspired artisans, racers, and dreamers alike. (Picture from: RMSothebys)
Another chapter unfolded in 2019, when it came into the stewardship of Mr. Ponder, who sought to refine it further without disturbing its integrity. Under the hands of Red Car Restorations in Texas, the Speciale received thoughtful enhancements such as new front and rear glass, a fresh dashboard, restored carburetors, a rebuilt steering box, and necessary wiring repairs. The paintwork was carefully touched up, and modern disc brakes and an electric fuel pump were integrated discreetly to improve usability without compromising the period character. Please note that the video below does not feature the car discussed here, but instead showcases the 1965 Alfa Romeo 1900 Speciale by ATL. | o-diVxPloCo |
Today, the 1958 Alfa Romeo 1900 Speciale stands as more than a collector’s prize. It reflects the evolution of an idea across decades—how a postwar sports saloon inspired artisans, racers, and dreamers alike. Its form carries the daring energy of the 1950s, its craftsmanship shows the bespoke spirit revived in the 1970s, and its preservation highlights how much originality still matters in a mass-produced world. Cars like this remind us that history stays alive through those who refuse to let mechanical beauty disappear. *** [EKA | FROM VARIOUS SOURCES | LUZZAGO | RMSOTHEBYS | LOVEALFA IN X | LIKETOMODIFYCARS IN FACEBOOK ]
Note: This blog can be accessed via your smart phone.
Speedcraft Legends - Speed is not just about numbers; it is about vision, courage, and the pursuit of something greater than ordinary limits. For more than a century, Bonneville Salt Flats in Utah has been the playground for those chasing speed records, a stage where the bravest engineers and riders write their names in history. From this same spirit comes Record Motor Cycles (RMC), a modern Italian initiative led by Roberto Crepaldi, determined to bring two radical V8-powered machines to the salt.
The Tribute to John Britten, one of Record Motor Cycles’ twin V8 machines built for land speed records, carries a unique dual-sided livery. (Picture from: GIVEN.it)
Crepaldi is no stranger to innovation. In the 1990s, he worked closely with John Britten, the legendary New Zealander whose hand-built Britten V1000 shook the racing world and even captured the 1995 B.E.A.R.S.. That collaboration left a lasting impression, and decades later Crepaldi has revived the same restless energy with Record Motor Cycles (RMC). This time, the mission is crystal clear: create motorcycles capable of surpassing 400 km/h, and do it in a way that honors Britten’s spirit of invention.
One side of Record Motor Cycles’ Tribute to John Britten is finished in black and yellow, echoing the iconic VR&S V1000 livery. (Picture from: Rocket-Garage)
To achieve this, Crepaldi teamed up with Giulio Bernardelle, an engineer with a remarkable résumé that includes shapingAprilia’s RS125andRS250during the Valentino Rossi era, as well as serving as technical director in MotoGP with Honda’s Pramac and Konica Minolta teams. On the design side, Donato Cannatello of Given Design took the lead in crafting the bodywork, aerodynamics, and final styling. And at the heart of it all, professional rider Dario Marchetti—whose career spans more than three decades with races in Daytona and Macau—lent not only his name but also his body, which was digitally scanned to ensure a seamless fit into the aerodynamic shell. Together, they formed a team that dares to push beyond traditional thinking. The project has produced two motorcycles: the Tribute to John Britten and the Pride of Italy.
The opposite side of Record Motor Cycles’ Tribute to John Britten is finished in metallic red, gold, and white. (Picture from: Rocket-Garage)
The first, Tribute to John Britten, is the flagship—a machine with a 2500cc longitudinal V8 producing around 294 kW, or well over 400 horsepower. It is intended to take on the FIM partially streamlined category at full tilt, aiming for about 423 km/h. Its most distinctive trait lies in its visual concept: one side dressed in black and yellow, echoing Britten’s iconic VR&S V1000 colors, while the opposite side is finished in metallic red, gold, and white. This asymmetrical design is not a second bike, but a symbolic gesture that fuses two identities within one sculptural prototype. Alongside it is the Pride of Italy, smaller but still ferocious, with a 2000cc V8 designed to compete in a different displacement class. While its technical details are documented, no official imagery of this model has ever been made public.
Record Motor Cycles’ Tribute to John Britten rider’s body was digitally reconstructed to ensure a perfect fit within the motorcycle’s aerodynamic shell, creating a seamless blend of human and machine. (Picture from: Rocket-Garage)
What makes these machines remarkable is not just their engines. Every line of their frames and fairings was born from a partnership with GIVEN design and In-Motion. The process was meticulous: from early sketches to full body modeling, through to advanced 3D scanning of the rider. The rider’s body was digitally reconstructed to ensure a perfect fit within the motorcycle’s aerodynamic shell, creating a seamless blend of human and machine. Every curve, every contour was adjusted not only to reduce drag but also to remain compliant with FIA’s strict regulations. This pursuit of harmony between rider and bike echoes John Britten’s obsession with perfection, and was later enriched with contributions from designer Rodolfo Frascoli, who joined the project to refine its stylistic vision.
Record Motor Cycles’ Tribute to John Britten powered by a 2500cc longitudinal V8 producing around 294 kW, or well over 400 horsepower. (Picture from: Rocket-Garage)
What makes these machines remarkable is not just their engines. Every line of their frames and fairings was born from a partnership with GIVEN design and In-Motion. The process was meticulous: from early sketches to full body modeling, through to advanced 3D scanning of the rider. The rider’s body was digitally reconstructed to ensure a perfect fit within the motorcycle’s aerodynamic shell, creating a seamless blend of human and machine. Every curve, every contour was adjusted not only to reduce drag but also to remain compliant with FIA’s strict regulations. This pursuit of harmony between rider and bike echoes John Britten’s obsession with perfection.
Record Motor Cycles’ Tribute to John Britten is intended to take on the FIM partially streamlined category at full tilt, aiming for about 423 km/h. (Picture from: Rocket-Garage)
And yet, despite the breathtaking specifications and all the innovation behind them, the project still sits at the stage of ambition and preparation. As of now, there has been no confirmed record run at Bonneville. What exists is a pair of extraordinary machines, fully realized, fully capable, but waiting for their moment to roar across the salt. That gap between concept and reality makes them even more intriguing—proof of how much passion and planning go into every attempt at the world’s fastest stage.
Every curve, every contour of Record Motor Cycles’ Tribute to John Britten was adjusted not only to reduce drag but also to remain compliant with FIA’s strict regulations. (Picture from: Rocket-Garage)
The Tribute to John Britten and the Pride of Italy stand as modern sculptures of speed, but unlike museum pieces, they are meant to be alive, functional, and fierce. They celebrate not only the dream of breaking records but also the legacy of thinkers and builders who never accepted limits. When their wheels finally touch the white desert of Utah, they will carry with them not just Italian engineering, but also the timeless message that true innovation is born from daring to imagine more.
Kept spur your adrenaline on the power of two-wheeled monster and stay alive with the true safety riding. May God will forgive Your sins and so does the cops...... *** [EKA | FROM VARIOUS SOURCES | GIVEN.IT | ROCKET-GARAGE | AMCN.COM.AU | TOPSPEED ]
Note: This blog can be accessed via your smart phone.
Golden Revolution - At the dawn of the twentieth century, when racing was a daring spectacle of speed and survival, one car emerged that didn’t just challenge conventions—it redefined them. It wasn’t merely a machine of metal and motion; it was a bold statement about innovation, safety, and the human desire to push beyond limits. That car was the Miller Golden Submarine, a vehicle that looked like it had arrived from the future, even though it was built in 1917.
The 1917 Miller Golden Submarine was an early twentieth century streamlined race car designed and built in 1917 by Fred Offenhauser and Harry A. Miller for Barney Oldfield. (Picture from: WeirdWheels in Reddit)
Its story began not on a racetrack, but in tragedy. Barney Oldfield, one of America’s earliest racing legends, had witnessed his close friend and fierce competitor Bob Burman lose his life during a high-speed accident in Corona, California. The crash was brutal, and the open-cockpit design of Burman’s car offered no real protection. For Oldfield, the loss sparked a realization that speed needed a partner—safety. To achieve this, he turned to one of the brightest mechanical minds of the era, Harry A. Miller, an engineer already gaining a reputation for crafting precision carburetors in Los Angeles. Together with Fred Offenhauser, Miller set out to build something entirely new: a racing car that could go fast but also keep its driver alive.
The 1917 Miller Golden Submarine earned its name from its smooth, bullet-like shape and gleaming metallic finish. Built from lightweight aluminum, its fully enclosed cockpit wrapped the driver in a protective shell. (Picture from: Wall.AlphaCoders)
What emerged from their workshop looked nothing like the exposed, skeletal racers of its day. The Golden Submarineearned its name from its smooth, bullet-like shape and gleaming metallic finish. Built from lightweight aluminum, its fully enclosed cockpit wrapped the driver in a protective shell—a revolutionary concept at a time when most race cars left drivers completely exposed. Small cutouts in the body allowed visibility, and inside, an internal roll cage provided structural strength in case of a crash. Its golden hue wasn’t just paint—it came from a unique blend of bronze dust mixed with lacquer, giving it a shimmering, almost ethereal glow under the sunlight.
The 1917 Miller Golden Submarine measured a 104-inch wheelbase, weighed around 1,600 pounds, and had been tested for aerodynamic efficiency long before wind tunnels became standard in motorsport development. (Picture from: Wikipedia)
Beyond its groundbreaking design, the Submarine was a masterpiece of engineering. Beneath its aerodynamic body sat a four-cylinder aluminum alloy engine with a displacement of 289 cubic inches, producing an impressive 136 horsepower at 2,950 rpm. The engine featured a single overhead cam, desmodromic valves, dual intake ports, dual spark plugs, and magnetos—technical innovations that placed it far ahead of its contemporaries. It was both lightweight and robust, built to translate power into speed without sacrificing stability. The car measured a 104-inch wheelbase, weighed around 1,600 pounds, and had been tested for aerodynamic efficiency long before wind tunnels became standard in motorsport development.
The 1917 Miller Golden Submarine ran on a 289-cubic-inch four-cylinder aluminum engine producing 136 horsepower at 2,950 rpm, featuring a single overhead cam, desmodromic valves, dual intake ports, dual spark plugs, and magnetos.(Picture from: AmcarGuide)
Its first test on June 16, 1917, at the Chicago Board Speedway showed both its potential and its teething problems. After just ten miles, the engine failed—but not before it reached an average of 104 mph, an astonishing figure for the time. The following week, the kinks were fixed, and Oldfield drove the Submarine to victory over his rival Ralph DePalma, winning three consecutive races on Milwaukee’s dirt track. Over the next few years, the Golden Submarinecompeted in 54 races, securing 20 wins, 2 second places, and 2 third places. It even qualified for the 1919 Indianapolis 500, though mechanical failure forced it to retire early.
The 1917 Miller Golden Submarine had small body cutouts for visibility, an internal roll cage for protection, and a shimmering gold finish created by blending bronze dust with lacquer.(Picture from: Cars4Starters)
Today, the Miller Golden Submarine is remembered not just as a racing car, but as a symbol of progress—a physical embodiment of how innovation often emerges from loss. It marked the moment racing evolved from sheer recklessness to calculated engineering, blending artistry with science. The Submarine’s influence rippled through decades of motorsport design, inspiring safer, more aerodynamic vehicles that shaped the future of racing. | clBAodJiw7w |
Retro Fury - There’s something special about cars that manage to mix the glory of the past with the boldness of the future. Automotive enthusiasts often dream of driving a machine that looks like it belongs in a retro poster but moves like a supercar from tomorrow. That’s exactly what Michigan-based Equus Automotive set out to achieve with one of its most ambitious creations yet — the Equus Throwback, a Corvette-inspired beast packing an astonishing 1,000 horsepower under its sleek, carbon-fiber skin.
The Equus Throwback, a Corvette-inspired beast packing an astonishing 1,000 horsepower under its sleek, carbon-fiber skin. (Picture from: BlackXperience)
Equus isn’t new to the idea of reimagining classics. The company first gained attention with the Bass 770, a stunning modern-day tribute tothe 1960s Ford Mustang. That car took the muscular nostalgia of the past and infused it with high-performance engineering and contemporary comfort. But with the Throwback, Equus aimed higher — both in performance and in emotion. This wasn’t just about building another sports car; it was about capturing the soul of the Corvette legacy and sending it roaring into the modern age.
The Equus Throwback’s front features aggressive lines inspired by the C7 Corvette, highlighted by two distinct fog lamps that cut sharply through the night. (Picture from: BlackXperience)
At first glance, the Equus Throwbacklooks like a time machine built by an artist. Its silhouette borrows inspiration from several generations of Corvettes, merging familiar shapes into something entirely new. The front takes cues from the C7 generation, with aggressive lines and two distinct fog lamps that slice through the night. The sides and rear, meanwhile, carry hints of the C3’s curvy attitude, while the rear window whispers of the C2’s split-window charm. Even the taillights nod respectfully to earlier Corvette designs, completing a visual bridge that connects decades of American sports car heritage.
The Equus Throwback’s interior is wrapped in Alcantara leather with diamond-quilted stitching, creating a luxurious and bespoke lounge-like atmosphere.(Picture from: BlackXperience)
What truly makesthe Throwbackstand out, however, is its construction. Every inch of its body is made from carbon fiber, keeping the weight impressively low while enhancing strength and aerodynamics. It’s the kind of detail you’d expect from a limited-run hypercar, not just a custom project. And Equus went all in on this one — only 25 units are planned for production, making it a rare collector’s dream.
Underneath the stunning exterior lies something even more ferocious. Equus confirmed that the Throwbackgenerates 1,000 horsepower and 1,195 Nm of torque, numbers that sound more like those of a rocket than a road car. With that kind of power, it can blast from 0 to 100 km/h (0–62 mph) in just 2.5 seconds and reach a top speed of 400 km/h — performance figures that place it in the same league as some of the fastest cars on Earth.
The Equus Throwback’s cabin features refined craftsmanship and thoughtfully detailed elements that balance elegance with a driver-focused sports car experience.(Picture from: BlackXperience)
For context, Equus’ first model, the Bass 770, used a 6.2-liter supercharged V8 producing 640 horsepower and weighing around 1,651 kg. Impressive as that was, the Throwbacktakes everything the company learned from the Bass and turns the volume up to eleven.
Inside, the Throwbackkeeps its promise of luxury. The cabin is wrapped in Alcantara leather and detailed with diamond-quilted stitching, creating an interior that feels more like a bespoke lounge than a traditional sports car cockpit. It’s a place where craftsmanship meets adrenaline — refined yet ready to roar.
The Equus Throwback’s rear and sides echo the C3’s curves and the C2’s split-window rear, with taillights that pay homage to earlier Corvette designs.(Picture from: BlackXperience)
Priced around $130,000 (approximately Rp. 1.7 billion), the Equus Throwbackoffers an almost paradoxical combination: exclusivity, extreme performance, and a nostalgic design that pays homage to America’s greatest sports car lineage. Still, with such limited production numbers, few people will ever experience it firsthand, and that’s partly what makes it so fascinating. | _W2VoVnVmwA |
In an era when electric cars dominate headlines and futuristic design often leaves the past behind, the Equus Throwback stands as a beautiful contradiction — a love letter to the golden age of motoring, wrapped in modern engineering brilliance. It’s proof that sometimes, looking back is the best way to move forward, especially when you’re doing it at 400 kilometers per hour. ✨Happy Holiday...⛄*** [EKA | FROM VARIOUS SOURCES | BLACKXPERIENCE ]
Note: This blog can be accessed via your smart phone.
Today, the 1953 Fiat 1100E Coupé Vignale feels especially compelling because it embodies a type of creativity that’s harder to find in modern automotive manufacturing. It represents a moment when even the most modest mechanical base could inspire a stunning form, when vision mattered as much as horsepower, and when small-production vehicles could express ideas that shapes the larger automotive world. This little coupé remains a vivid reminder that innovation isn't always loud—it can also be quiet, graceful, and beautifully human. *** [EKA | FROM VARIOUS SOURCES | CARROZZIERI-ITALIANI | OLDTIMERS-ONZE-PASSIE! IN FACEBOOK ]
