Seen Dodge Firearrow Concept series

Unique ONES - In the intriguing world of automotive design, the collaboration between America and Italy has produced some truly remarkable cars, and one shining example is the Dodge Firearrow Series.

1954 Dodge Firearrow II (left) posed along with the 1954 Dodge Firearrow IV (right). (Picture from: VintageRaceCars)

Conceived in the early 1950s by Virgil Exner, the design chief at Chrysler Corp, and crafted by the esteemed Turin-based coachbuilder Carrozzeria Ghia, these concept cars stand as a testament to the fusion of style and innovation. Now, let's us talking about those Firearrow concepts as follows;

1. Dodge Firearrow I

In 1953, the first Firearrow concept came out of Chrysler's advanced styling studio and was a dummy. Later, three Firearrows followed led to Dual Ghias. The Firearrow I was a true roadster and painted in Red and Gray, while the interior was yellow with maroon piping. Its wheels were full wheel covers and the bodyside molding wrapped all of the ways around the car and has dual headlights.

1953 Dodge Firearrow I Concept sat alongside with Abarth Fiat 1100 (Ghia) at the 1953 Turin Motor show. (Picture from: CarStyling.ru)

The Dodge Firearrow, a sleek, 34-inch-high sports roadster, is a new 'idea' car of the Dodge Division, hand-crafted by Ghia of Turin, Italy. At that time, William C. Newberg, president of Dodge, says that certain design features of the experimental body may well be reflected in future Dodge production models, but there are no present plans to produce the Firearrow.

1953 Dodge Firearrow I Concept was designed by the Chrysler Corp design chief in the time, Virgil Exner and built by Carrozzeria Ghia. (Picture from: CarStyling.ru)

The car is shown for the first time on November 12, 1953, at Chrysler Corporation's annual new car press party in Detroit. And today, it is on display at Petersen’s Museum although the seats are now brown.

2. Dodge Firearrow II

The second series of roadster-styled concept car of Dodge itself is built on a 119-inch chassis and equipped with a Red Ram Hemi (241 cubic inch engine) combined with a four-speed Gyro-Torque semi-automatic gearbox, so then the car is claimed to be capable of spewing power up to 150 horsepower.

1954 Dodge Firearrow II Concept appeared with different front and rear sections than the previous model. (Picture from: OtoBlitz)

It painted in yellow and looked a lot like Firearrow I, except the body side molding didn’t wrap around the car, chrome wire wheels replace the full hub caps, single headlights replaced the dual, and Firearrow I’s split bumper was changed.

Rear three-quarter view of the 1954 Dodge Firearrow II Concept. (Picture from: OtoBlitz)

But, it retained the two-seats behind the dashboard and striking frameless windshield when it appeared in 1954.

3. Dodge Firearrow III

In 1954, the two-seat Firearrow Sport Coupe appeared and proclaimed as the third series of the Dodge's models. As with the earlier roadster, the metallic blue coupe was essentially a 1954 Dodge.

1954 Dodge Firearrow III Sports Coupe shown at the 2010 Pebble Beach Concours D’Elegance. (Picture from: Supercars.net) 

Dual headlights returned and now flanked a concave grille cut with narrow verticals. It also featured with the crash protection front and rear was provided by modest bumperettes. A wraparound backlight gave the Sport Coupe a particularly rakish aspect.

Rear three-quarter view of the 1954 Dodge Firearrow III Sports Coupe. (Picture from: Supercars.net) 

The third in a series of four unique Firearrow concept cars made, it has been said that this concept car had the skillful blending of the best ideas from Europe and the American design studios of Virgil Exner and brought an entirely new kind of beauty with a look of poised power.

4. Dodge Firearrow IV

The fourth series of Firearrow convertible arrived late in 1954. Despite being the series' first four-seater model, it shared many styling cues with the previous Sport Coupe model, or can be said, it was basically a soft-top version of the coupe.

1954 Dodge Firearrow IV four-seater convertible concept car and share the same design as the previous sports coupe version. (Picture from: OtoBlitz)

The Dodge Firearrow IV was the only road-legal concept car that was actually prepared to enter the production line and adorn many car shows in the United States in 1954. And if you look at the specifications, this concept is similar to the Firearrow II which was also designed by Exner and built-in Turin by Ghia on a 119-inch chassis by using the same drivetrain.

1954 Dodge Firearrow IV convertible leather interior's with a black and white diamond pattern. (Picture from: CarStyling.ru)

The concave grille returned, though it now carried a grid treatment instead of the coupe's slim verticals. As for the convertible's leather interior, as it was a diamond pattern done in hard-to-ignore black and white, it was definitely an acquired taste. Additional sizzle was provided by the car's bright red body.

Rear three-quarter view of the 1954 Dodge Firearrow IV four-seater convertible. (Picture from: Automotivereport)

Although these timeless creations, though never mass-produced, continue to captivate the hearts of automotive enthusiasts, serving as a reminder of the innovative spirit that defined an era. The Dodge Firearrow series stands as a testament to the boundless creativity and collaboration that can emerge from the marriage of American and Italian automotive design.. *** [EKA[13072020] [24092021] | FROM VARIOUS SOURCES | CARSTYLING.RU | AUTOWEEK | SUPERCARS.NET ]

Note: This blog  can be accessed via your smart phone

Vignale Record Sperimentale 1000: The Record That Never Was

Space Spoon - Discovering the stories behind unique and rare vehicles from the past often leads to some fascinating discoveries. One such vehicle is the Vignale Record Sperimentale 1000, a concept car that came to life in 1962. Built by Vignale, an Italian coachbuilder, this one-of-a-kind car was based on the Fiat 600D platform. The car's striking design immediately captures attention, with a shape that resembles a teardrop, or "goccia" in Italian, a form that was highly favored by designers during that era due to its aerodynamic efficiency.

1962 Vignale Record Sperimentale 1000 is built based of the Fiat 600D based design prototype with a massive 'fish-bowl' windscreen. (Picture from: Twitter)

In the 1950s and 60s, the teardrop design was at the forefront of aerodynamic studies. It was considered the most efficient shape for managing airflow, and this principle was applied by various automakers. Vignale had previously explored similar design ideas with the Abarth 750 Coupe Goccia in 1956, a collaboration with Giovanni Michelotti. The Sperimentale 1000 took these concepts even further, showcasing a distinct and futuristic appearance that was meant to push the boundaries of automotive design.

1962 Vignale Record Sperimentale 1000 sat on display at the Turin Auto Show 1962. (Picture from: Carrozzieri-Italiani)

The Vignale Record Sperimentale 1000 is not just another concept car; it is a masterpiece that combines art and engineering. Its most prominent feature is the massive "fish-bowl" windshield, which wraps around the front of the car, offering a panoramic view similar to modern-day sunroofs. The smooth, aerodynamic design continues with the faired-in headlights, which are tucked behind Plexiglas to reduce air resistance. The front bumpers, shaped like bullets, add to the car's sleek profile, while the sharply cut-off tail, a hallmark of Kammback design, ensures that the vehicle slices through the air with minimal drag.

1962 Vignale Record Sperimentale 1000's wraparound windscreen was absolutely enormous, while the glass roof very much similar the current's panoramic sunroofs. (Picture from: Drive-my.com)

At the rear, the car's design continues to impress with a series of cooling ducts that not only add to its visual appeal but also serve a functional purpose by providing air to the rear-mounted engine. The Vignale Record Sperimentale 1000 was equipped with a 1,000 cc engine, an upgrade from the original 767 cc engine, thanks to the efforts of the Turin-based ZM tuning company. This enhanced engine, combined with the car's lightweight and aerodynamic form, was intended to make it a record-breaking vehicle. Although Vignale claimed a Cd figure of just 0.25, which would have made it one of the most aerodynamically efficient cars of its time, there is no evidence to suggest that any record attempts were actually made.

Inside the cabin of 1962 Vignale Record Sperimentale 1000, there're two futuristic-themed seats with three gauges are mounted into a wooden instrument panel, housed in a binnacle extending forward to the base of the windshield. (Picture from: Drive-my.com)

Inside the cabin, the Vignale Record Sperimentale 1000 continues to impress with its futuristic design. The car features two seats with a unique, aircraft-inspired wraparound headrest on the passenger side. The wooden instrument panel is home to three gauges, housed in a binnacle that extends to the base of the windshield. The seats themselves are anatomically shaped, with unusual grip handle extensions, adding to the car's avant-garde aesthetic. Interestingly, the spare wheel is stored behind the seats, a practical yet stylish solution that adds to the car's overall uniqueness.

1962 Vignale Record Sperimentale 1000's wraparound windscreen was absolutely enormous, while the glass roof very much similar the current's panoramic sunroofs. (Picture from: Carstyling.ru)

The Vignale Record Sperimentale 1000 made its debut at the 1962 Turin Auto Show, where it immediately caught the attention of automotive enthusiasts and designers alike. Initially, the car featured conventional wheel arches, but by the time it was shown again at the Geneva Motor Show in March 1963, it had undergone slight modifications. The wheel arches were now faired-in and covered with spats, likely a result of further aerodynamic experiments conducted by Vignale.

This one-off concept car represents a remarkable chapter in automotive history, blending innovative design with engineering prowess. Its unique appearance, combined with the cutting-edge technology of its time, makes the Vignale Record Sperimentale 1000 a true icon. As we look back on this incredible vehicle, it serves as a reminder of the endless possibilities that arise when creativity and innovation come together in the world of automotive design.*** [EKA [09122021] | FROM VARIOUS SOURCES | DRIVE-MY.COM | CARROZZIERI-ITALIANI | CARSTYLING.RU | QUIRKYRIDES ]

Note: This blog  can be accessed via your smart phone

Have You Ever Heard of the Aguzzoli Condor, the Forgotten Italian Sports Car?

Forgotten Gems - For many of us, the world of motorsport history often highlights the giants—Ferrari, Porsche, Alfa Romeo—leaving many unsung stories buried beneath the roar of the mainstream. But every now and then, an obscure name resurfaces, hinting at a tale filled with ambition, rebellion, and ingenuity. One of those names is Aguzzoli, and behind it lies a creation so distinct, so full of character, it deserves to be remembered: the Aguzzoli Condor.

The Aguzzoli Condor MK2 was a 1964 prototype race car commissioned by Giovanni and Sergio Aguzzoli, designed by Franco Reggiani and built by Piero Drogo with a focus on both performance and artistic form. (Picture from: AutoHistory.Blog.Hu)

Paolo Martin's unique proposal for Bugatti EB110

Radical Concept Apparently gloomy days have also been experienced by a well-known automotive company like Bugatti. In the 1960s, the Molsheim-based company had declared bankrupt and should ceased production for a long time before revived back in the 1980s. The idea of Bugatti’s revival was initially proposed by none other than Ferruccio Lamborghini together with ex-Lamborghini engineer and designer Paolo Stanzani to Romano Artioli.

The most radical proposed design concept for the Bugatti EB110 called Bugatti 110 PM1 by Paolo Martin in 1989. (Picture from: SportscarDigest)

This happened when Ferruccio wanted to start another project after selling his raging-bull logoed company in 1981. At that time Romano Artioli was known widely as a Bugatti collector, turn out also had a personal ambition to establish a company worthy of Ettore Bugatti’s legacy, Bugatti macaron, and the horseshoe grille. And made the initial idea to estabilish a new brand changed into a wildly ambitious plan to revive one of the all-time great auto marques.

The wooden maquette of the Bugatti 110 PM1 posed along with its creator Paolo Martin at the Turin Auto Show 1991. (Picture from: Carstbatnevermadeitetc)

Disagreement with Artioli’s ambition to go huge from the very start, then prompted Ferruccio Lamborghini retreated. Following the dispute, Artioli and Stanzani soon started working on a draft to acquire the Bugatti brand. After successfully acquiring the brand, they teamed up with like-minded enthusiast, automotive historian Jean-Marc Borel founded a holding company called Bugatti International in Luxembourg in 1987.

The Bugatti 110 PM1 featured with a panoramic windshield and a floating rear wing integrated within the diagonal character line starting behind the front wheels. (Picture from: AllCarIndex)

Borel was managing the holding, while Ettore’s youngest son Michel Bugatti was among the board of directors. Romano Artioli himself led the Bugatti Automobili S.p.A. while 35% of the Bugatti International holding was held by Tecnostile, a highly regarded independent engineering company employing former Lamborghini personnel. In short to strategically place Bugatti at the center of the supercar industry, the company then established a modern production facility in Campogalliano, the outskirts of Modena.

It is interesting that in the Paolo Martin's design appears to reference the Luigi Colani’s extraordinary Lamborghini Miura Le Mans Concept of 1970. (Picture from: SportscarDigest)

In early days of this newly resurrected auto brand the man in charges leading the project was Paolo Stanzani together with Tecnostile, envisioning the underpinnings of the car. Both Artioli, Stanzani, and the principal Tecnostile team of Achille Bevini, Tiziano Benedetti, and Oliviero Pedrazzi agreed that the car had to go beyond the well-established concept boundaries of the time, namely the mid-engined V12 supercar. Still, the team spoke from experience, as they developed the chassis and the engine of the Lamborghini Miura.

The Bugatti 110 PM1's design revolved around aerodynamic efficiency, but it proved to be too far-out and definitely not elegant enough to be considered for production. (Picture from: SportscarDigest)

In the car design later known as the forerunner of the Bugatti EB110, apart from involving its own designer team, the company also invited several well-known designers at the time such as Giorgietto Giugiaro, Paolo Martin, Marcello Gandini, and Nuccio Bertone to create the looks of the upcoming car. A quartet of accomplished designers returned their vision for the future Bugatti and each was special in its own right.

The Bugatti 110 PM1 concept sat on display as a wooden maquette at the  the 65th Turin International Motor Show in 1991. (Picture from: Bestinsketch.it)

After some time ago we had discussed Giorgietto Giugiaro' designed car called the Bugatti ID90 Concept. Well, now we will discuss about the most radical proposal came from Paolo Martin (a former Pininfarina designer) who created a unique prototype called the Bugatti 110 PM1 in the 1989.

The Bugatti 110 PM1 concept shown as a model of sports car in 1: 1 scale and made entirely of wood. A structure whose shape exceeds the stylistic value. (Picture from: SportscarDigest)

The car appears in such an unusual shape with a panoramic windshield and a floating rear wing integrated within the diagonal character line starting behind the front wheels. Meanwhile, Bugatti 110 PM1 was a single seater sports car controlled by a joystick and “paddles” rather than a steering wheel. It is interesting that in the Paolo Martin's design appears to reference the Luigi Colani’s extraordinary Lamborghini Miura Le Mans Concept of 1970.

The Bugatti 110 PM1 concept has a single-seater cabin consists of a capsule in which the steering wheel is replaced by two handwheels located on the arm rests, for a more ergonomic ride. (Picture from: Carstbatnevermadeitetc)

The designer said that the philosophy of the project was essentially to create two distinct areas, that of traction and strength tied to earth and that of the living cell with aerial shape and ideally detached from the body. Inside its capsule cabin consists only one-seater in which the steering wheel is replaced by two handwheels located on the arm rests, for a more ergonomic ride. For safety, the driver has a four-point anchor belt that incorporates an abdominal airbag. 

For safety, the Bugatti 110 PM1 driver has a four-point anchor belt that incorporates an abdominal airbag. (Picture from: Carstbatnevermadeitetc)

Although they had made in a 1:4 scale model but this project reportedly did not run smoothly, due to the design proved to be too far-out and definitely not elegant enough to be considered for production and later the project was cancelled.😩

The Bugatti 110 PM1 concept in any case a reality resolved in a traditional way and presented so simply, to reawaken that intimate sense of taste and charm that always accompanies a valid work for a long time. (Picture from: SportscarDigest)

Furthermore, in 1991 this project had back on the track after Joshiro Kitami, a Japanese businessman was interested in it and wanted to revived the Ford Cobra's brand in which he had investments. Even in that time the designer had executed its polystyrene model to start engineering, but unfortunately this operation back to fail due to financial problems.😭

The Bugatti PM1 Concept known as a single-seater supercar made entirely of wood while sat on display at the National Automobile Museum (Il Museo Nazionale dell’Automobile) in early year of 2016. (Picture from: la Repubblica)

It made the designer then switched to build a 1:1 scale model out of wood. Finally, the wooden maquette of Bugatti 110 PM1 (only bodywork) finished and shown to the public for the first time at the  the 65th Turin International Motor Show in 1991.

Observed in its unique technical aspects or appreciated simply as an "unusual mobile" car, the PM1 is in any case a reality resolved in a traditional way and presented so simply, to reawaken that intimate sense of taste and charm that always accompanies a valid work for a long time. *** [EKA [15122021] | FROM VARIOUS SOURCES | BESTINSKETCH.IT | SPORTSCARDIGEST ]

Note: This blog can be accessed via your smart phone.

Iso Grifo 90: The Forgotten Italian GT Dream

Missed Glory - Before the 2nd World War, Renzo Rivolta had already established a successful refrigerator manufacturing company named Isothermos. In the 1940s, the business shifted into the production of scooters under the Iso brand. This venture later expanded into the development of the small-engined bubble car, the Isetta, produced between 1953 and 1955. Although Iso ceased production afterward, the Isetta continued under license in other countries until 1964.

The Iso Grifo 90 was appeared with a sleek body lines and intended to mark the Iso's brand reviving in the 1991. (Picture from: OldCarConcept)

After a delay in developing its next automobile, the company eventually entered the four-wheeled vehicle market with a completely different approach. The result was the Iso Rivolta, a rear-wheel-drive saloon with two doors and four seats, powered by a Chevrolet-sourced 5,359 cc V8 OHV engine. Designed by Giotto Bizzarrini and styled by Carrozzeria Bertone, the model set the tone for Iso’s future identity.

The Iso Grifo 90 is designed by Marcello Gandini with the chassis and powertrain developed by Gian Paolo Dellara. (Picture from: OldCarConcept)

Soon after, Iso’s Milan-based factory introduced the Grifo, followed by the Fidia in 1967. The final production model from the brand was the Lele. In 1966, company founder Renzo Rivolta passed away, and control of the business was taken over by his son, Piero Rivolta.😭

The Iso Grifo 90 has certain changes to the interior so that the potential customers would feel like they were sitting in a very special car. (Picture from: OldCarConcept)

Entering the 1970s, Iso made a critical misstep by deciding to compete in the Formula One with Frank Williams. Unfortunately, this decision came at a time when the company was already financially strained, compounded by the global oil crisis. These combined challenges ultimately led to the collapse of the Iso brand in 1975.

The Iso Grifo 90 prototype is based on the Corvette C5 Z06 with the aluminium body was fitted to a tubular steel chassis frame, so it weighs only 1,200 kg. (Picture from: OldCarConcept)

In the late 1980s, Piero Rivolta, together with Piero Sala, attempted to revive the marque with a new GT model. They commissioned Gian Paolo Dallara to develop its chassis and powertrain, while Marcello Gandini was tasked with the design. The result was the Iso Grifo 90, which incorporated the styling cues of the 1990s. The prototype was unveiled to the press in 1991, with plans for limited production beginning in 1994.

The Iso Grifo 90 prototype is powered by a front mounted turbocharged 5.7-litre Chevrolet V8 engine (tuned by Callaway). (Picture from: OldCarConcept)

However, the prototype presented was incomplete—it lacked an engine, a functional interior, and even usable wheels. Due to insufficient funding, the project was suspended. The model remained dormant until 2007, when Federico Bonomelli, owner of the “Mako-Shark” composite materials company and an Iso Rivolta collector, rediscovered the original mock-up. Together with his brother, Bonomelli redesigned the car and obtained approval from Piero Rivolta to build a series of 12 units of the Iso Grifo 90. 

Federico Bonomelli posed along with one of the classic and rare cars of his owned, the Iso Grifo 7Litri. (Picture from: AutoClassMagazine)

The new prototype was based on the Corvette C5 Z06. It featured an aluminum body mounted on a tubular steel chassis, resulting in a weight of only 1,200 kg. Power came from a front-mounted, turbocharged 5.7-liter Chevrolet V8 engine tuned by Callaway, producing 490 hp. This was paired with a six-speed gearbox, Brembo brakes, and a locking differential. The car was expected to exceed 300 km/h and accelerate from 0 to 100 km/h in just 4.5 seconds. 

The rolling prototype of the Iso Grifo 90 was completed in 2010. However, the global economic crisis at the time diminished enthusiasm for the project. As a result, Bonomelli decided not to proceed with the full 12-car production run. Thus, Iso’s modern GT effort once again fell victim to unfortunate timing.😐 *** [EKA [21092021] | FROM VARIOUS SOURCES | CARTYPE | OLDCONCEPTCARS | AUTOCLASSMAGAZINE | CURVES-MAGAZIN | CALLAWAY | DYLER ]

Note: This blog can be accessed via your smart phone.

The only one Italian-made Corvette

ONE-OFF - As already known that the name of the Chevrolet Corvette always known as an American muscular car, with a body design that is not less muscular and always be dreamed in its homeland. However, the charm of the V8 engine's Chevrolet Corvette mainstay just seems not enough to attract consumers in Europe, where the typical European car has a more beautiful design.

1963 Pininfarina Rondine Coupe made taken base of Chevrolet Corvette C2. (Picture from: Otosia)

Then in 1963, one Chevrolet Corvette C2 had to undergo a makeover to be more pleasing to the eyes of Europeans. The result, Chevrolet in cooperation with Pininfarina, a famous Italian automotive coachbuilder that used to design a Ferrari, which later gave birth to the figure of Pininfarina Rondine Coupe.

Rear side view of 1963 Pininfarina Rondine Coupe. (Picture from: Otosia)

Unlike the Corvette C2 which has a body made of fiberglass, Pininfarina Rondinne has a metal made exterior, which makes its weight so increase, and control is also changed completely. The car's front overhangs are more longer, and the Corvette's typical pop-up lights are eliminated, and on the back there is nothing resembling to the original car, and it is more like a Fiat 124.

Inside, the car has a stock dashboard and seats, but attention to detail around the doors is exceptional. The door jams themselves are chromed and decorated panels are fitted. The greenhouse is quite bright due to the white leather upholstery and a large wraparound rear windscreen.

Because seeing the car's view which then triggered a fairly diverse responses, and finally made Chevrolet was reluctant to continue Pininfarina Rondine to the production line and now the only one ever made was sitting peacefully at the Corvette museum. *** [EKA [20092017] [26092021] | FROM VARIOUS SOURCES | SUPERCARS.NET]

Note: This blog can be accessed via your smart phone.