Pontiac Pegasus Concept: A Mythical Fusion of Muscle and Maranello

Forgotten LEGEND - Not long ago, we explored the lineage of the Pontiac Banshee—from the original 1965 XP-833 to the futuristic Banshee IV of 1988. This time, we're turning our attention to another exciting and often overlooked concept from Pontiac's experimental archives: the Pontiac Pegasus Concept.

This is the Pontiac Pegasus Concept was built as a "design concept" study from a production 1970 Pontiac Firebird. (Picture from: CarBibles)

The name Pegasus evokes imagery that is both powerful and imaginative—aptly chosen for a concept car that marries American muscle with Italian flair. The name is a clever blend of Pontiac’s own Firebird and the mythical winged horse. While it’s unclear whether the Pegasus name was a deliberate nod—or challenge—to Ferrari’s iconic "Prancing Horse" emblem, the similarities are striking. In fact, the car sported its own custom Pegasus logo on the grille and a Porsche-like coat of arms on the hood.

Here's an V12 engine of the Ferrari 365 GTB/4 resides under the hood of the Pontiac Pegasus Concept. (Picture from: CarBibles)

If your first thought was that the Pegasus must be related to the Firebird, you’re absolutely right. The original sketch reportedly came from designer Jerry Palmer, who was experimenting with Ferrari-inspired aesthetics. His ideas were later championed and brought to life by GM’s legendary VP of Design, William "Bill" Mitchell. The final product reflected a strong influence from the then-upcoming 1970 Pontiac Firebird, especially in the nose and fender vents, which were unmistakably Ferrari-esque.

The Pontiac Pegasus Concept inspired by Ferrari designs ranging from the front end, grille and fender vents. (Picture from: Cars and Adventures)

But unlike many concept cars that are just rolling design studies, the Pegasus had serious engineering under its skin. According to GM Heritage archives, the heart of the Pegasus came from none other than Ferrari itself: a V12 engine from the Ferrari 365 GTB/4, mated to a 5-speed manual transmission. Hard to believe? Enzo Ferrari, famously protective of his brand, allegedly donated the powertrain. Whether this was a gesture of goodwill or a one-time anomaly, it's still one of the most fascinating pieces of the Pegasus story.

The Pontiac Pegasus Concept’s cabin was outfitted with a sporty three-spoke steering wheel, complemented by Ferrari-sourced instrument panel gauges, adding an authentic European performance touch to the interior design. (Picture from: Cars and Adventures)

The Italian connection didn’t stop there. The exhaust system, mufflers, and even the instrument panel came from Ferrari. Meanwhile, GM-sourced components grounded the Pegasus in Detroit: a GM traction rear axle, Corvette brakes, and Borrani wheels—the latter being another nod to European performance.

The Pontiac Pegasus Concept’s cabin was outfitted with a sporty three-spoke steering wheel, complemented by Ferrari-sourced instrument panel gauges, adding an authentic European performance touch to the interior design. (Picture from: CarBibles)

As noted by Cars and Adventures, the Pegasus was rich in design details. A racing-style gas cap on the trunk, later echoed in the 1974 Pontiac Banshee III, and fog lights hinted at European grand tourers. Yet, there were distinctly American touches as well. Like the hood-mounted air cleaner, reminiscent of the Firebird Formula and 1969 Trans Am, which harnessed cold air for performance. 

The Pontiac Pegasus Concept rode on elegant Borrani wire wheels and featured several intriguing design elements, including a racing-inspired gas cap on the trunk, along with a Ferrari-sourced exhaust system and mufflers. (Picture from: MotorBiscuit)

Perhaps the most eccentric feature was a full-sized spare tire, proudly displayed under the rear glass—a likely homage to old-school racing regulations. In our view, the Pontiac Pegasus was more than a design exercise. It was a passion project, born in an era when GM was the world’s largest automaker and the future of performance vehicles was anything but certain.

The Pegasus fused the best of both worlds—American muscle and European elegance—and remains a rare artifact from a bold and experimental period in automotive history. Sadly, it never made it past the concept stage. Today, it rests in quiet glory at the GM Heritage Center, preserved as a symbol of what might have been.  *** [EKA [19102022] | FROM VARIOUS SOURCES | GM | CARBIBLES | CARS AND ADVENTURES | MOTORBISCUIT ]

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The Rare Frontenac: Canada’s Unique Take on the Ford Falcon

Heritage Compact - There’s something endlessly fascinating about how the automotive world adapts to different places and people. The same car can take on a completely different personality depending on where it’s built, sold, and driven. In the late 1950s and early 1960s, as compact cars began gaining traction across North America, Canada developed its own unique response to this trend—one that quietly stood apart while sharing familiar roots. That response came in the form of the remarkable 1960 Frontenac, a rare and distinctly Canadian interpretation of the Ford Falcon. 

The Ford Frontenac front end featured a more intricate grille than the standard Falcon, adding a touch of sophistication to an otherwise simple shape. (Picture from: BarnFinds)

At first glance, the Frontenac might seem like just another compact car from the era, but it carries a deeper purpose beneath its modest proportions. Developed by Ford of Canada, the car was created to serve Mercury-Meteor dealerships, which needed a smaller, more affordable model to complement their lineup. Instead of simply importing the Falcon as-is, Ford chose to give Canadian buyers something that felt uniquely their own. The result was a vehicle that retained the Falcon’s practical engineering while presenting a fresh identity tailored to the local market. 

The Ford Frontenac showcased along its sides carefully placed chrome accents and distinctive badging, creating a refined visual flow that elevated its character while preserving its compact, understated appeal. (Picture from: BarnFinds)

Visually, the Frontenac stood apart through subtle yet thoughtful design details. Its front end featured a more intricate grille than the standard Falcon, adding a touch of sophistication to an otherwise simple shape. Along the sides, chrome accents and distinctive badging gave the car a slightly more upscale presence, while the rear quarters were adorned with three elegant chrome spears. Even the smallest elements carried symbolic meaning—red maple leaf emblems appeared in multiple places, including the hubcaps and steering wheel, reinforcing its Canadian identity. Inside, the cabin mirrored the Falcon’s straightforward layout, offering clean lines and functional comfort without unnecessary complexity. 

The Ford Frontenac retained its American roots with a dependable 144 cubic-inch inline-six engine delivering around 90 horsepower. (Picture from: BarnFinds)

Under the surface, however, the Frontenac remained mechanically faithful to its American counterpart. It shared the same body structure, chassis, and the reliable 144 cubic-inch inline-six engine, producing around 90 horsepower. This combination delivered dependable, economical performance—qualities that resonated strongly with Canadian drivers, who had long favored practical and efficient vehicles. The balance between familiar engineering and localized styling made the Frontenac both accessible and distinctive at the same time. 

The Ford Frontenac featured an interior that mirrored the Falcon’s straightforward layout, combining clean lines with practical, no-frills comfort. (Picture from: BarnFinds)

The story behind its name adds another layer of character. Ford of Canada chose “Frontenac” to evoke a sense of national heritage, drawing inspiration from Louis de Buade de Frontenac, a historical figure tied to early Canadian history. This wasn’t just a branding exercise—it was a deliberate effort to connect the car with a broader cultural identity. Built at the Oakville, Ontario plant, the Frontenac represented a moment when the Canadian auto industry sought to define itself within a landscape heavily influenced by American manufacturing. 

The Ford Frontenac featured rear quarters adorned with three elegant chrome spears, complemented by smoothly rounded taillights reminiscent of its American counterpart, adding a subtle touch of visual distinction. (Picture from: BarnFinds)

Despite its strong concept and impressive sales—outperforming rivals like the Corvair and Valiant in Canada—the Frontenac’s lifespan was surprisingly brief. Produced only for the 1960 model year, with just over 9,500 units built, it quickly became a one-year wonder. By 1961, Ford of Canada shifted back to offering standard Falcons and Comets, leaving the Frontenac as a short-lived experiment.  | 11Un6Mmkxjc |

Today, that fleeting existence is exactly what makes it so intriguing. It stands as a snapshot of a time when even a compact car could carry a sense of national pride, quietly proving that identity in the automotive world is shaped not just by engineering, but by the stories and intentions behind the badge. *** [EKA | FROM VARIOUS SOURCES | CANADIAN AUTOMOTIVE MUSEUM | BARNFINDS | MACSMOTORCITYGARAGE | WORLD CARS FROM THE 1930S TO 1980S IN FACEBOOK | VINNYVRG IN FLICKR ]

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The Flajole Forerunner: The Stunning 1955 Prototype That Time Almost Forgot

Forgotten Brilliance - In the golden age of postwar motoring, when American roads were filling with chrome-laden cruisers and European sports cars were capturing imaginations, a handful of designers quietly experimented beyond the spotlight. Among them was William J. Flajole, a creative mind often associated with the charming Nash Metropolitan. Yet beyond that well-known compact classic lies a far rarer and more intriguing creation—one that makes enthusiasts pause and ask, seeing how beautiful the Flajole Forerunner prototype was, why isn’t it talked about more often? 

The 1955 Flajole Forerunner prototype is built based on Nash Metropolitan by William J. Flajole. (Picture from: ConceptCarz)

The story of the Forerunner began shortly after the success of the Nash Metropolitan, which was produced between 1953 and 1961 by Nash Motors before the company merged into American Motors Corporation in 1954. Having proven his talent in shaping accessible style for the masses, Bill Flajole shifted his focus toward something more personal. In 1955, he unveiled the Flajole Forerunner, a privately commissioned prototype that reflected his unfiltered vision of what a modern American sports car could be.

Interior view of the 1955 Flajole Forerunner prototype. (Picture from: Silodrome)

At first glance, the Forerunner carried a familiar European flair. Its silhouette clearly echoed the spirit of the Jaguar XK120, particularly in its long hood and athletic stance. However, the resemblance stopped short of imitation. Flajole elevated the concept with high fenders and a dramatic fastback rear that tapered sharply downward, creating a sleek, almost aerodynamic impression. The proportions felt bold yet balanced, as if the car were perpetually leaning forward, eager to move.

The steering wheel and dashboard view of the 1955 Flajole Forerunner prototype. (Picture from: ConceptCarz)

One of the most striking features was its retractable cabin roof made from Plexiglass, designed to open automatically—an advanced idea for the mid-1950s. This transparent roof panel added a futuristic touch while maintaining the car’s cohesive form. The rear design was equally daring: a sharply descending tail incorporated a dedicated cavity above the rear bumper to house the spare tire. Rather than hiding practical elements, Flajole integrated them into the car’s sculptural identity.

Left side view of the 1955 Flajole Forerunner prototype. (Picture from: ConceptCarz)

The Forerunner’s visual drama was amplified by its color treatment. The body wore a bright beige finish, contrasted with deep purple accents and complemented by pearl white details nestled around the front and rear wheel openings. These subtle niches around the wheels were not only aesthetic flourishes but also pioneering design elements. Interestingly, this body treatment appeared before similar contours were adopted on the 1956 Corvette, placing the Forerunner quietly ahead of its time.

The 1955 Flajole Forerunner prototype is used dual overhead camshaft six-cylinder engine coupled with the four-speed transmission system. (Picture from: Silodrome)

Step inside, and the innovation continued. The seats were inspired by commercial aircraft design, complete with integrated head restraints—an uncommon feature in the 1950s. At a time when automotive safety considerations were still minimal, Flajole had already envisioned added protection for occupants. The headrests were not merely decorative; they were conceived to reduce the risk of injury during collisions, showcasing a forward-thinking approach that many larger manufacturers had yet to embrace.

Left-rear side view of the 1955 Flajole Forerunner prototype. (Picture from: ConceptCarz)

Despite being a prototype, the Forerunner was not confined to showrooms or exhibitions. Bill Flajole used it as his personal transportation well into the early 1970s, turning everyday drives into rolling design statements. The car consistently drew attention wherever it appeared, standing out even in an era known for flamboyant styling. Eventually, Flajole donated the vehicle to the Blackhawk Automotive Museum, ensuring its preservation before it changed hands at auction in 1998, where it was acquired by Sidney Craig.

Its journey through the collector world continued. In 2009, Bonhams offered the Forerunner at the “Exceptional Motorcars and Automobilia” event at Quail Lodge Resort, where it reached a value of US$188,500. A few years later, in 2012, Barrett-Jackson auctioned the prototype again, this time achieving US$200,000—approximately Rp 2.6 billion. Today, the Flajole Forerunner stands as more than a rare collector’s item; it represents a bold personal experiment from a designer unafraid to blend elegance, innovation, and individuality. Its beauty is undeniable, but its real significance lies in how it quietly anticipated ideas that would only become mainstream years later, securing its place as a fascinating chapter in automotive history. *** [EKA [08032020] | FROM VARIOUS SOURCES | BONHAMS | BARRET-JACKSON | SILODROME | CONCEPTCARZ ]

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The Fiat 1100 TV Stanguellini Bertone Berlinetta: A Unique Blend of Italian Design and Performance

Aerodynamic Rarity - The story of postwar Italian sports cars is often told through famous names and celebrated racing machines, yet some of the most fascinating creations came from small collaborations between independent designers, coachbuilders, and performance specialists. In the early 1950s, Italy’s automotive world was alive with experimentation, where compact engines met bold aerodynamic ideas. One of the most intriguing results of that creative atmosphere was the Fiat 1100 TV Stanguellini Bertone Berlinetta—an elegant and extremely rare coupé that blended engineering ingenuity with some of the most adventurous styling of its era. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta emerged from a collaboration between Fiat, Carrozzeria Bertone, which handled the bodywork and design, and Modena-based specialist Stanguellini, responsible for its mechanical enhancements. (Picture from: RollingArt in Facebook)

The car emerged from a partnership between three respected figures in Italian automotive craftsmanship. Carrozzeria Bertone handled the bodywork and design, while Modena-based performance specialist Stanguellini prepared the mechanical components. At the center of the design process was Franco Scaglione, a visionary stylist known for pushing aerodynamic concepts into dramatic forms. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta was shaped by designer Franco Scaglione, whose aerodynamic vision transformed the modest Fiat 1100 TV platform into a modern, performance-focused coupé. (Picture from: RollingArt in Facebook)

His work on the Berlinetta drew inspiration from the same experimental thinking that produced some of the era’s most futuristic shapes. Rather than simply building a stylish coupe, the team set out to transform the humble Fiat 1100 TV (Turismo Veloce) platform into something that felt both modern and performance-focused. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta featured a finely crafted interior, with a textured instrument panel, precisely shaped metal door hardware, and warm tan leather accents reflecting 1950s Italian craftsmanship. (Picture from: RollingArt in Facebook)

Under the sleek exterior sat the mechanical foundation of the Fiat 1100/103 TV, but Stanguellini ensured the car delivered far more excitement than a standard model. The 1,089-cc four-cylinder engine received internal modifications, including a reworked cylinder head, higher compression, and performance-focused tuning. With the help of a Weber carburetor and a specially designed intake manifold, the compact engine could produce roughly 60 to nearly 70 horsepower—an impressive figure for a lightweight Italian coupe of the time. Power was delivered through a four-speed column-shift manual transmission, while improved suspension and braking systems, including hydraulic drum brakes, gave the small car confident road manners. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta used a Fiat 1100/103 TV mechanical base enhanced by Stanguellini with a tuned 1,089-cc four-cylinder engine, upgraded compression, and a Weber carburetor producing about 60–70 horsepower. (Picture from: RollingArt in Facebook)

Visually, the Berlinetta stood apart from nearly anything else using Fiat mechanicals. Scaglione’s body design featured a flowing fastback profile that emphasized aerodynamic efficiency and visual motion even at rest. The front end integrated the grille and headlights into a single smooth form, a styling idea that echoed the experimental aerodynamic studies Scaglione was exploring during the same period. A split rear window added a distinctive touch to the tail, while subtle fins on the rear fenders hinted at the era’s fascination with jet-age styling. The aluminum body panels helped keep weight low and gave the car a delicate, hand-crafted appearance typical of limited-production coachbuilt vehicles. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta featured a side-hinged rear hatch with an integrated parcel shelf, adding practical functionality to its highly stylized coupé design. (Picture from: RollingArt in Facebook)

Inside, the attention to detail reflected the craftsmanship expected from an Italian boutique project of the 1950s. The instrument panel carried a textured finish that framed the gauges elegantly, while carefully shaped metal door hardware added a sense of precision and durability. Tan leather accents softened the cabin, giving it warmth and character rather than a purely mechanical feel. Even smaller elements showed thoughtful design—the slender shaded-glass sun visors, polished sill plates, and carefully arranged switches all contributed to an interior that felt refined despite the car’s small size. The rear hatch, hinged on one side and integrated with a parcel shelf, added a practical touch to an otherwise highly stylized coupe. 

The Fiat 1100 TV Stanguellini Bertone Berlinetta featured a split rear window, subtle rear fins, and lightweight aluminum body panels that emphasized its jet-age styling and coachbuilt character. (Picture from: RollingArt in Facebook)

Production numbers were extremely limited, which has only added to the car’s mystique. Most accounts suggest that only a handful were completed—likely around four to perhaps several more—during the mid-1950s. Some examples carried markings indicating Stanguellini’s mechanical preparation, while others were displayed at international auto shows before finding homes with enthusiastic owners. | OnTx_IkkQZE |

Today, the Fiat 1100 TV Stanguellini Bertone Berlinetta stands as a snapshot of a unique moment in Italian automotive history, when independent specialists collaborated to turn modest mechanical foundations into striking works of design and engineering imagination. Its rarity, artistry, and experimental spirit continue to capture attention decades later, reminding us how creativity often thrives most vividly on a small scale. *** [EKA | FROM VARIOUS SOURCES | CARROZZIERI-ITALIANI | FABWHEELSDIGEST | SUPERCARS.NET | ROLLING ART IN FACEBOOK ]

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The Wild 8-Wheeled 1977 Cadillac Eldorado

Octo Majesty - Automotive history is full of bold experiments, but every once in a while a creation appears that seems to ignore the usual rules entirely. In the late 1970s—an era already known for excess, chrome, and unapologetic size—one custom project pushed the idea of a luxury cruiser far beyond what anyone expected. That machine was a heavily modified 1977 Cadillac Eldorado Biarritz, transformed into an unforgettable eight-wheeled spectacle. Today it is often remembered as one of the most unusual Cadillacs ever built, a rolling curiosity that blends American luxury with imaginative engineering.

1977 Cadillac Eldorado custom with 8 wheels. (Picture from: Hemmings)

The car began its life as a standard 1977 Cadillac Eldorado, a large front-wheel-drive coupe powered by a 425-cubic-inch V8 producing around 180 horsepower. At some point in the 1980s, the vehicle traveled from Texas to Australia, where its story took a dramatic turn. Rather than leaving the Eldorado in factory form, its new owners decided to reinvent it entirely. Using tandem axles from a Holden One Tonner utility vehicle, the Cadillac was converted into an eight-wheeled machine. The modification kept the original front-wheel-drive layout and even allowed all four front wheels to steer, creating an unusual mix of American engineering and Australian ingenuity.

Dashboard view of 1977 Cadillac Eldorado custom with 8 wheels. (Picture from: Hemmings)

Visually, the car became something far more dramatic than the Eldorado designers in Detroit ever imagined. The body had to be stretched significantly to cover the extended chassis, and instead of lightweight fiberglass, the builders reportedly used sheet metal to maintain a solid feel. The elongated proportions turned the luxury coupe into something closer to a limousine crossed with a show vehicle. At the rear, six exhaust pipes protrude like a mechanical signature, emphasizing that this was not an ordinary Cadillac but a rolling statement piece.

In the lengthened section between the back glass and the full-size trunk lid he added a two-person hot tub. (Picture from: Hemmings)

The interior and added features reflected the same spirit of theatrical customization. The car was fitted with a dashboard television, a CCTV camera mounted in the right front fender, strobe lighting, and thunderous train horns. In the trunk, a built-in whiskey bar added a touch of eccentric luxury, turning the car into something resembling a mobile lounge. The Eldorado even appeared in the television series “Dallas,” proving that its dramatic appearance translated perfectly to the screen. Its V8 engine may not have been built for speed, but it provided more than enough power for a car designed to impress rather than race.

Rear side view of 1977 Cadillac Eldorado custom with 8 wheels. (Picture from: Hemmings)

The Cadillac’s story did not stop there. By 1999, it had found a new owner in Melbourne who believed an eight-wheeled Seventies Cadillac could be even more outrageous. The already stretched body gained an unexpected addition: a two-person hot tub installed between the rear glass and the trunk lid. Under the extended hood, the unused space between the radiator and the engine was turned into a pull-out propane grill for barbecues at car shows. Displayed publicly in Melbourne before an auction event in 2016, the vehicle remains a reminder that car culture isn’t only about performance or prestige—sometimes it’s about imagination, humor, and the joy of building something the world has never seen before. *** [EKA [25032016] | FROM VARIOUS SOURCES | HEMMINGS ]

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The Unique 1948 Simca 8 Roadster Designed by Louis Lepoix and Built by Spohn

Sculpted Rarity - Automotive history is often remembered through famous marques and mass-produced models, yet some of its most intriguing stories belong to cars that existed only once. These rare creations were shaped not by factory production lines but by imagination, where designers and coachbuilders treated a simple chassis as a blank canvas. One remarkable example is a one-off roadster based on the Simca 8, styled by industrial designer Louis Lucien Lepoix and brought to life through the craftsmanship of Karosseriebau Hermann Spohn. The result was a striking post-war automobile that blended European creativity with an unusually bold design language. 

The unique 1948 Simca 8 Roadster designed by Louis Lepoix and built by Spohn features a sleek open-body design that captures the aerodynamic spirit of the late 1940s, with smooth lines flowing from front to rear and integrated fenders seamlessly blending into the car’s form. (Picture from: BugattiRevue)

Originally produced between 1938 and 1951 by Simca, the Simca 8 was a modest French compact known for its reliability and practicality. It typically carried a 1,089-cc engine producing around 32 PS at 4,000 rpm—hardly the sort of platform expected to underpin a dramatic sports roadster. Yet the years following World War II opened new opportunities for experimentation. Surplus or aging chassis were often purchased by independent builders eager to reinvent them. In 1948, Lepoix acquired an old rolling Simca chassis and set out to transform it into something far more expressive than its humble beginnings suggested. His imagination had already shaped a wide variety of machines, from four-wheeled designs like the Bugatti Type 101 to two-wheelers such as the BMW R12, along with projects including the Horex Regina prototype and the elegant Walba DeLuxe scooter introduced in 1952. 

Louis Lucien Lepoix stands beside his spectacular motorcycle featuring futuristic bodywork built on the BMW R12 platform in 1947, a striking example of his bold and imaginative approach to postwar vehicle design. (Picture from: TheVintagent)

Working together with his employee Franz Villing, Lepoix designed a sleek open roadster that captured the aerodynamic spirit of the late 1940s. The body flowed smoothly from front to rear, with integrated fenders that blended seamlessly into the car’s form. Its wheels appeared partially enclosed, enhancing the streamlined silhouette and giving the vehicle a futuristic presence for its time. A distinctive split windshield added character while maintaining a low, purposeful stance, and subtle chrome accents highlighted the sculpted lines. Sitting low over the chassis, the compact roadster looked dramatically different from the practical economy car that originally served as its foundation. 

The unique 1948 Simca 8 Roadster designed by Louis Lepoix and built by Spohn featured partially enclosed wheels, a distinctive split windshield, subtle chrome accents, and a low-slung stance that gave it a sleek, futuristic character far removed from its humble economy-car origins. (Picture from: RollingArt in Facebook)

The bodywork itself was crafted by Karosseriebau Hermann Spohn, a respected German coachbuilder with deep roots in custom automotive design. Before the war, the company had produced elegant bodies for prestigious marques including Maybach. In the difficult postwar years, Spohn adapted by purchasing available chassis and continuing its tradition of bespoke coachbuilding. Each project was developed individually, shaped by the ideas of designers and the preferences of clients rather than standardized production methods. The Simca-based roadster perfectly reflected this philosophy—an experimental concept realized through careful metalwork and traditional craftsmanship. 

Louis Lucien Lepoix poses beside his personally designed 1948 Simca 8 Roadster, proudly standing alongside a Walba De Luxe scooter, two creations that reflect his distinctive approach to postwar vehicle design. (Picture from: RollingArt in Facebook)

Today, this unusual Simca 8 stands as more than a curious custom creation; it reflects a period when creativity flourished as Europe rebuilt after the war. Designers like Louis Lepoix reimagined what ordinary machines could become, while coachbuilders such as Karosseriebau Hermann Spohn transformed sketches into hand-formed automobiles. The car’s flowing bodywork and imaginative proportions still feel surprisingly modern, showing how innovation often begins not with massive engineering programs but with a designer, a forgotten chassis, and the freedom to create. Those curious about Spohn’s other imaginative postwar works might also look toward distinctive models like the Veritas SP90 Convertible and the Spohn DV‑13 Convertible, both reflecting the same spirit of experimental coachbuilding. *** [EKA | FROM VARIOUS SOURCES | BUGATTIREVUE | WORLD CARS FROM THE 1930S TO 1980S IN FACEBOOK | THINGIES IN FACEBOOK | ROLLING ART IN FACEBBOK ]

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