Unruly Beauty - Some automotive stories feel more like whispered legends than historical accounts—glimpses into a time when experimentation, artistry, and risk defined car design. One such story comes from the mind of Stanley “Wacky” Arnolt, an American entrepreneur with an appetite for British engineering and Italian flair. If you’ve heard of his more prolific creation, the Arnolt-Bristol Bolide, then you already know that Arnolt was never just another importer. He was a dreamer who wanted to leave a personal mark on the automotive world. But before the Bolide stole the spotlight, there was a quieter, rarer marvel: the Arnolt-Aston Martin DB2/4 Bertone.
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| The 1954 Aston Martin DB2/4 Bertone Convertible "Indiana," once owned by Stanley Arnolt, was one of the few cars designed by Franco Scaglione. (Picture from: SupercarNostalgia) |
This rare collaboration was sparked at the 1952 Turin Motor Show, where Arnolt crossed paths with Nuccio Bertone of the Italian design house Carrozzeria Bertone. The chemistry between the two visionaries led to a partnership, with Arnolt eventually becoming a shareholder and even a director at the financially struggling coachbuilder. Determined to create something exceptional, Arnolt reached out to David Brown, then-owner of Aston Martin, and secured a handful of the company’s new DB2/4 rolling chassis.
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| The 1954 Aston Martin DB2/4 Bertone Convertible "Indiana," once owned by Stanley Arnolt, featured a body sculpted by Franco Scaglione with flowing lines and sharp creases that gave its fenders a dynamic sense of motion, even at a standstill. (Picture from: SupercarNostalgia) |
By late 1953, five of these Aston Martin DB2/4 chassis were shipped off to Italy. Bertone’s ace designer Franco Scaglione took over from there, lending his creative hand to shape the bodies. What emerged from the Turin workshops were not mere rebodies, but reimaginings—three aggressive, race-bred Spyders and two elegant convertibles. Scaglione’s design language infused Italian sleekness without compromising the car’s British identity. He sculpted the body with flowing, uninterrupted lines and added sharp character creases that gave the fenders a sense of motion even when standing still. The cars looked like they were going fast even when parked.
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| The 1954 Aston Martin DB2/4 Bertone Convertible "Indiana," once owned by Stanley Arnolt, featured a luxurious white leather interior complemented by a classic three-spoke steering wheel and a driver-focused dashboard. (Picture from: SupercarNostalgia) |
One standout among these creations was chassis LML/505, which stood apart with its luxurious interior and grille-fitted bumpers, in contrast to the spartan race-style trim found in its siblings. It wasn't just about looks either. Under the hood of each Arnolt-Aston Martin was a 2,992cc straight-six Aston Martin Vantage engine that pumped out 140 horsepower. That, paired with the DB2/4’s solid chassis, made these cars quick for their era, and their looks gave them an exotic appeal rarely matched.
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| The 1954 Aston Martin DB2/4 Bertone Convertible "Indiana," once owned by Stanley Arnolt, powered by a 2,992cc straight-six Aston Martin Vantage engine that pumped out 140 horsepower. (Picture from: SupercarNostalgia) |
Interestingly, despite the effort and artistry, not many were built. Depending on the source, only between three and eight Arnolt-Aston Martins ever existed. The limited number makes each surviving unit a unique artifact—living proof of a creative alliance that came and went like a rare comet. Adding a personal touch to the story, Arnolt kept one for himself: the Bertone-bodied LML/762, later dubbed the Indiana, a unique two-seat convertible that stayed in his private garage until 1960.
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| The 1954 Aston Martin DB2/4 Bertone Convertible "Indiana," a remarkable two-seater once owned by Stanley Arnolt, remained in his private garage until 1960. (Picture from: SupercarNostalgia) |
Still, the Arnolt-Aston Martin collaboration remained limited in scope. With Aston Martin focused on its own development and not structured for external production partnerships, Arnolt sought a more scalable and sustainable direction. This led him to Bristol, whose platform offered greater flexibility. The result was around 150 Arnolt-Bristol cars—similar in appearance but built with a different heart, ultimately outnumbering the exclusive Aston Martin-based originals. While there is no specific video available for the car discussed, here is a related video featuring the 1954 Arnolt Aston Martin DB2/4 Bertone Competition Spider. | x-wXtT66RbU |
And for those who appreciate rare craftsmanship and forgotten legends, the Arnolt-Aston Martin DB2/4 Bertone remains an alluring chapter. It embodies a perfect storm of British precision, Italian beauty, and American ambition—crafted not for mass appeal, but for the sheer joy of creating something unique. These aren’t just cars; they’re rolling sculptures that remind us how innovation often lives in the spaces between borders, industries, and ideas. *** [EKA | FROM VARIOUS SOURCES | MYCARQUEST | GTPLANET | SUPERCARS.NET | SUPERCARNOSTALGIA ]Note: This blog can be accessed via your smart phone.






